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CELESTIAL LIGHTS

A quiet, poignant, and deeply human novel.

An astronaut looks back on his life during an unprecedented mission.

“Earth is now a pale blue smudge,” writes Commander Oliver Ines from aboard the Talos. Growing up in a small English village, where he had celestial wallpaper in his bedroom, Ollie had no idea he would grow up to become one of the most famous astronauts of all time. As he floats through space with his three crew members, Ollie thinks back on everything that led him here. He remembers his idyllic yet suffocating childhood, especially one summer he spent with Philly, his neighbor’s strange but lovely niece. There were the years he spent excelling academically—not socially—in London, and then his wildly successful though unfulfilling Royal Navy career. And, finally, his relationship with Philly, as they reconnect, fall in love, and create a family together, serves as the emotional through line. When Ollie is approached by a charismatic, controlling, and controversial billionaire, given the opportunity to train as an astronaut and take a one-of-a-kind mission to Europa to find out if there’s life beneath its glittering surface, he must make a life-changing decision: Will he continue to chase greatness and glory even if it means leaving his loved ones behind for more than a decade? During one trip back to his village, Ollie thinks, “Time can distort events, but it can just as well bend them back into shape.” As he gets closer to Europa and further from his loved ones, Ollie’s life—and his potential legacy—begin to come into sharper focus. As the novel boomerangs between memories and the mission, it becomes clear how much has been sacrificed—and the ways that ambition can equally propel and poison one’s life. Pin’s perfectly melancholy prose offers a sweeping yet grounded portrait of a man whose aspiration becomes the guiding principle of his life. The novel beautifully explores loneliness, memory, belonging, grief, and the cost of chasing one’s dreams.

A quiet, poignant, and deeply human novel.

Pub Date: March 24, 2026

ISBN: 9781250863492

Page Count: 256

Publisher: Henry Holt

Review Posted Online: Dec. 9, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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PECK & PECK

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

And now for some lessons in poetry and typesetting.

After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

Pub Date: Oct. 13, 2026

ISBN: 9781668251065

Page Count: 432

Publisher: Scribner

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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