An exploration of a friendship brought to the brink.
Society’s obsession with unwed women leads to destruction.
From the first line of Laskey’s novel, readers may wonder if they’re dealing with hyperbole or horror: “If you want to know the story of how my best friend and I ended up trying to kill each other, I should probably start with the night she asked me to be her maid of honor.” Robin Hawkins, a queer Brooklyn woman in her early 30s, is writing her Ph.D. dissertation on society’s pervasive focus on marriage. It's a time when only 21% of people get married and 76% of marriages end in divorce, meaning “fewer people were buying houses and having kids, which meant suburbs became ghost towns and cities became wildly over-crowded...even though Americans were happier than ever….Happiness was not good for capitalism or the patriarchy or white supremacy.” Urged by her adviser to make her dissertation sexier by adding real-life case studies, Robin hesitantly agrees to be the maid of honor at her best friend Ellie’s wedding. From there, a series of increasingly sinister events unfolds, spurred on by Ellie’s desperation to bring good luck to her wedding and Robin’s growing unrest. The bridezilla trope is pretty well played out by now, and Laskey winks a little too much at The Handmaid’s Tale. Nevertheless, Laskey successfully creates an eerie tone for the novel and a discomforting closeness between Ellie and Robin, two women who share a deep bond forged in adolescence. Ultimately, the novel settles into the sweet spot of dystopia: just unrealistic enough to feel fantastical but grounded in sufficient reality for the reader to pose the question, could this really happen?
An exploration of a friendship brought to the brink.Pub Date: June 7, 2022
ISBN: 978-1-335-42690-1
Page Count: 352
Publisher: Hanover Square Press
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
BOOK REVIEW
This fresh reworking of a Greek myth will resonate.
An otherworldly Latinx retelling of the Orpheus and Eurydice myth set in the South Bronx.
Pheus visits his father in the Bronx every summer. The Afro-Dominican teen is known for his mesmerizing bachata music, love of history, and smooth way with the ladies. Eury, a young Puerto Rican woman and Hurricane Maria survivor, is staying with her cousin for the summer because of a recent, unspecified traumatic event. Her family doesn’t know that she’s been plagued since childhood by the demonlike Ato. Pheus and Eury bond over music and quickly fall in love. Attacked at a dance club by Sileno, its salacious and satyrlike owner, Eury falls into a coma and is taken to el Inframundo by Ato. Pheus, despite his atheism, follows the advice of his father and a local bruja to journey to find his love in the Underworld. Rivera skillfully captures the sounds and feels of the Bronx—its unique, diverse culture and the creeping gentrification of its neighborhoods. Through an amalgamation of Greek, Roman, and Taíno mythology and religious beliefs, gaslighting, the colonization of Puerto Rico, Afro-Latinidad identity, and female empowerment are woven into the narrative. While the pacing lags in the middle, secondary characters aren’t fully developed, and the couple’s relationship borders on instalove, the rush of a summertime romance feels realistic. Rivera’s complex world is well realized, and the dialogue rings true. All protagonists are Latinx.
This fresh reworking of a Greek myth will resonate. (Fabulism. 14-adult)Pub Date: Sept. 15, 2020
ISBN: 978-1-5476-0373-2
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: June 24, 2020
Kirkus Reviews Issue: July 15, 2020
PERSPECTIVES
BOOK TO SCREEN
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
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