by César Aira translated by Chris Andrews ‧ RELEASE DATE: Feb. 26, 2019
A fanciful contemplation of the writer's life that is not quite a novel or a memoir but a whimsical combination of the two.
One of Argentina’s most talented and celebrated iconoclasts meditates on his 50th birthday.
The wildly prolific writer Aira (The Linden Tree, 2018, etc.) looks back on his life in the wake of his 50th birthday—with a book that's published in English to coincide with his 70th. As per his modus operandi, it’s a slim but thoughtful affair, punctuated by numerous bons mots, acidic self-deprecation, and cutting observations about the world around him. It starts with a mundane quarrel with his wife—“who doesn’t always appreciate my sense of humor"—about the phases of the moon and proceeds apace. “It would be less dramatic, but much more plausible, to say that it wasn’t a moment but a process: the process of wasting time, which is long by its very nature,” Aira writes. “At my age, it’s impossible to contemplate the eternities of time that I wasted in my youth without a certain horror….The hours, the days, the years, the decades squandered. And it is poetically just, in a way, that the apparent victim should have been the moon, that poetic reminder of wasted time.” It’s a trifle when compared to the author’s body of work, but it’s an eminently readable one, rife with keen observations about passers-by, notes about the author’s unique style and why it changed over time, and ruminations on how the author has dealt with the inscrutable eventualities of aging. As with all this writer’s outlandish novels, numbering nearly 100 by this point, the writing is whimsical, humorous, and poignant by turns. Yet there’s still a finality by the end that readers of Aira’s age may find painfully true: “To write, you have to be young; to write well, you have to be a young prodigy. By the time you get to fifty, much of that energy and precision is gone.”
A fanciful contemplation of the writer's life that is not quite a novel or a memoir but a whimsical combination of the two.Pub Date: Feb. 26, 2019
ISBN: 978-0-8112-1909-9
Page Count: 128
Publisher: New Directions
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
Share your opinion of this book
More by César Aira
BOOK REVIEW
by César Aira ; translated by Katherine Silver
BOOK REVIEW
by César Aira ; translated by Chris Andrews
BOOK REVIEW
by César Aira ; translated by Katherine Silver
by Gretchen Carlson ‧ RELEASE DATE: June 16, 2015
For the author’s fans.
A Fox News journalist and talk show host sets out to prove that she is not “an empty St. John suit in five-inch stiletto heels.”
The child of devout Christians, Minnesota native Carlson’s first love was music. She began playing violin at age 6 and quickly revealed that she was not only a prodigy, but also a little girl who thrived on pleasing audiences. Working with top teachers, she developed her art over the years. But by 16, Carlson began “chafing at [the] rigid, structured life” of a concert violinist–in-training and temporarily put music aside. At the urging of her mother, the high achiever set her sights on winning the Miss T.E.E.N. pageant, where she was first runner-up. College life at Stanford became yet another quest for perfection that led Carlson to admit it was “not attainable” after she earned a C in one class. At the end of her junior year and again at the urging of her mother, Carlson entered the 1989 Miss America pageant, which she would go on to win thanks to a brilliant violin performance. Dubbed the “smart Miss America,” Carlson struggled with pageant stereotypes as well as public perceptions of who she was. Being in the media spotlight every day during her reign, however, also helped her decide on a career in broadcast journalism. Yet success did not come easily. Sexual harassment dogged her, and many expressed skepticism about her abilities due to her pageant past. Even after she rose to national prominence, first as a CBS news broadcaster and then as a Fox talk show host, Carlson continued—and continues—to be labeled as “dumb or a bimbo.” Her history clearly demonstrates that she is neither. However, Carlson’s overly earnest tone, combined with her desire to show her Minnesota “niceness…in action,” as well as the existence of “abundant brain cells,” dampens the book’s impact.
For the author’s fans.Pub Date: June 16, 2015
ISBN: 978-0-525-42745-2
Page Count: 272
Publisher: Viking
Review Posted Online: March 27, 2015
Kirkus Reviews Issue: April 15, 2015
Share your opinion of this book
by Lulu Miller illustrated by Kate Samworth ‧ RELEASE DATE: April 14, 2020
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Share your opinion of this book
More by Lulu Miller
BOOK REVIEW
by Lulu Miller ; illustrated by Hui Skipp
More About This Book
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.