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BOOGIE BOOGIE, Y’ALL

Name: BOOGIE BOOGIE, Y’ALL
Author: C.G. Esperanza
ISBN: 978-0-06-297622-2

by C.G. Esperanza ; illustrated by C.G. Esperanza ‧ RELEASE DATE: Aug. 10, 2021

A book boogie.

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Children notice art around the city that others are too busy to pay attention to.

“BOOGIE BOOGIE, Y’ALL. / The city BOOGIED all day / Busy, busy, busy, / till one kid stopped to say... // ‘WOAH, WOAH, WOAH! / Look at the ART on the WALL!’ ” Much of the charm of this tale lies in the rhythm of the text, showcased in these opening lines that repeat, with variations, throughout the book. Esperanza’s bright and colorful graffiti-style illustrations capture the excitement of a child enraptured by the street art on the side of a building. It’s a child of color with an infectious, gap-toothed grin. Though the refrain shifts, the focus remains on the children (and one dog!), who have a different perspective than the adults around them, appreciating the art (visual, musical, and dance) that is seemingly mundane to others. Some of the transitions between spreads aren’t entirely clear, which may cause some readers to backtrack to follow the thread. Similarly, an unexpected and unexplained moment of fantasy near the end adds excitement but may trip up some readers. These foibles don’t spoil the whole, however, as it’s all about the joy. How refreshing to read a picture book that centers the experience of the many children growing up in diverse cityscapes and acknowledges the unique beauty of cities and the many forms urban art can take. (This book was reviewed digitally.)

A book boogie. (Picture book. 4-8)

Pub Date: Aug. 10, 2021

ISBN: 978-0-06-297622-2

Page Count: 40

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: June 1, 2021

Kirkus Reviews Issue: June 15, 2021

Categories:

CHILDREN'S ENTERTAINMENT & SPORTS

- BOOK REVIEW
KICKS IN THE SKY
by C.G. Esperanza ; illustrated by C.G. Esperanza

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THERE'S A ROCK CONCERT IN MY BEDROOM

by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022

Nice enough but not worth repeat reads.

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Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

Categories:

CHILDREN'S FAMILY | CHILDREN'S ENTERTAINMENT & SPORTS

- BOOK REVIEW
THERE'S A BEACH IN MY BEDROOM
by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson

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LITTLE MELBA AND HER BIG TROMBONE

by Katheryn Russell-Brown ; illustrated by Frank Morrison ‧ RELEASE DATE: July 1, 2014

Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)

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Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.

Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.

Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)