This first installment chronicling the adventures of Maj. Jacob Kelly turns out to be an undisputed success.
An Air Force pilot with a few skills not in his official dossier finds himself on the run in a hostile nation in the first thriller of this trilogy.
It’s 1986, and Maj. Jacob “Falcon” Kelly is at the top of his game. A capable fighter jock, Kelly gets recruited into a top-secret program that requires more than just flight abilities. These proficiencies, as well as the fluency in Russian he kept secret from the Air Force to avoid intelligence postings, come in handy when he is shot down over the Bering Strait and whisked off to a debriefing center deep inside the Soviet Union for interrogation and eventual liquidation. He befriends a fellow Russian-speaking prisoner named Oswald Simmons (“everyone just calls me Oz”), a scientist, and they use Morse code to secretly communicate. Before long, Kelly spots an opportunity to flee. He tells Oz about his escape plan: “Gonna check out and find a different hotel. Don’t care for the amenities here.” Oz eagerly offers the dubious Kelly his assistance (“Need some help with your luggage? Take me with you! I can be handy in a scrap”). Soon all of Kelly’s talents and knowledge that the Soviets didn’t know about get used against them, as the body count spirals upward and he comes ever closer to achieving his goal. Cobb (Falcon Strike, 2014, etc.) has clearly done his research on multiple counts and, like Tom Clancy or Dale Brown, masterly intertwines military technology and behavior into a tightly plotted narrative in which every development follows logically and smoothly from what came before. This deft touch extends to the characters: Kelly, while remaining supremely adept, makes mistakes and gets frustrated in his efforts to run, making him more relatable than a stereotypical Special Forces operative. And the primary antagonists, such as Maj. Gen. Chernikov, are not cartoonishly evil monsters but professional military figures with doubts and misgivings of their own. Occasionally, Cobb slips in a little heavy-handed religious material, but except for one instance where a professor’s conversion story told to Kelly edges into proselytizing, the author manages to keep most of the Christian-themed material relevant to the story and characters.
This first installment chronicling the adventures of Maj. Jacob Kelly turns out to be an undisputed success.Pub Date: June 13, 2013
ISBN: 978-0-9848875-1-4
Page Count: 288
Publisher: Doorway Press
Review Posted Online: Feb. 1, 2016
Kirkus Reviews Issue: March 1, 2016
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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