A fun and thought-provoking series entry.
The kids of the Cardboard Kingdom are back—and they have new rivals.
It’s winter break, and the suburban neighborhood kids are ready to play! Continuing their massive, complex pretend world, they’re building their confidence, working out interpersonal dramas, and having a blast. While the first few chapters work as stand-alone stories, the rest quickly build up to a bigger plot: Kids from the Parkside neighborhood have seen how much fun the Cardboard Kingdom is, and they want in. Unfortunately, this situation quickly spirals into competition and conflict as new alliances form and others are tested. Only through communication and collaboration can the different sides create peace. Themes of familial expectations, respecting differences, and teamwork are throughlines: “What if we could show everybody…that we’re even more powerful together?” While seeing new characters and dynamics is refreshing, these elements may cause difficulty in tracking the large ensemble cast, most of whom have two identities. Still, Sell’s art moves seamlessly between the imagined world of the kids’ alter egos and their real-life pretend play, giving each time to shine. As before, the multiple contributors’ chapters are seamlessly woven together with Sell’s art and overarching vision, mirroring the experiences of the characters. Neurodivergence, queerness, racial and ethnic identities, and socioeconomic status are often implied rather than stated directly. This volume will be best appreciated by those familiar with the earlier books.
A fun and thought-provoking series entry. (maps, note to readers, author bios, deleted scene, character designs, photos) (Graphic fiction. 8-12)Pub Date: Nov. 7, 2023
ISBN: 9780593481622
Page Count: 320
Publisher: Knopf
Review Posted Online: Sept. 22, 2023
Kirkus Reviews Issue: Oct. 15, 2023
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A successful call for creating and imagining, even if the story itself falls short.
In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.
Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.
A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)Pub Date: Sept. 29, 2026
ISBN: 9780063515109
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
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