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THE EMPEROR OF SCENT

A STORY OF PERFUME, OBSESSION, AND THE LAST MYSTERY OF THE SENSES

The music of science, as irresistible as Vetiver or Rive Gauche.

An elegant analysis of one man’s work in deciphering the sense of smell.

Raised in France, Luca Turin is happy to admit that “the idea that things should be slightly dirty, overripe, slightly fecal is everywhere in France.” Given a stinky cheese, says he, Americans think, “Good God!”; Japanese think, “I must now commit suicide”; and the French think, “Where’s the bread?” So perhaps it’s not surprising that Turin should be captivated by the sense of smell, and, with his polymathic background in science, arrive at a theory of how it works, the last sense to be cracked—and still to be universally recognized as so. But journalist Burr (A Separate Creation: The Search for the Biological Origins of Sexual Orientation, 1996) is a believer, and he presents Turin’s work in the best possible light, even its rejection by the prestigious magazine Nature, whose referees’ comments he nimbly dissects and hangs out to dry as a combination of stung egos and vested interests. The theory introduces a whole new wrinkle to what is known about molecular recognition, though the lay audience, happy to have made it through the intelligible science, will be happier still when the spotlight falls on Turin himself, an appealing and genuine maverick who, in bringing quantum mechanics to a physiological problem (and crossing covetously guarded frontiers), invited the wrath of academics, not to mention of chemists at the Big 7 producers of artificial scents, who might greet his smell-prediction algorithm much as the Luddites welcomed mechanization. (It’s interesting to compare the openness of scientific inquiry in Russia and India with its equivalent in Europe and America.) Burr unravels the story, with all its beard-pulling and molecular blacksmithing, its megahertz and neurobiology, with grace, an eye for the intelligent human-interest angle, and a steady tincture of bright humor.

The music of science, as irresistible as Vetiver or Rive Gauche.

Pub Date: Jan. 28, 2003

ISBN: 0-375-50797-3

Page Count: 368

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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