A love story and an homage to the history of the Cuban people, the latter significantly overshadowing the former.
“My grandmother loved a revolutionary,” says Marisol Ferrera, returning to Cuba 60 years after her family fled the island only to find herself falling for another attractive rebel.
Romance readers who enjoy their love stories leavened with a sizable measure of earnest political history will warm to Cleeton’s (On Broken Wings, 2017, etc.) new novel, which offers parallel tales of entwined hearts challenged by oppressive regimes. Elisa Perez, one of the four “sugar queens”—the privileged daughters of a Cuban sugar baron—is the first star-crossed lover. Living in luxury in Havana in the late 1950s, Elisa and her sisters are shielded from the imminent revolution by their father’s money and allegiance to the status quo, but then Elisa falls for Pablo, “Fidel [Castro]’s eyes and ears in the city.” In the 21st century, Florida-based lifestyle journalist Marisol smuggles her grandmother’s ashes back to Cuba, obeying Elisa’s wishes to be reunited in death with the country from which she had been exiled. Once in Havana, Marisol discovers not only her family’s roots and the letters revealing Elisa and Pablo’s secret passion, but also her own emotional fulfillment in the form of Luis, the grandson of Elisa’s best friend. Cleeton delivers the two women’s descents into dangerous romance with persuasive intensity, but her descriptions of Pablo’s and Luis’ commitments to challenging the political establishment and her larger commentary on Cuba’s long, troubled history make for a heavy contrast. “Why is the Cuban convertible peso so important?” asks Marisol, setting the reader up for another solid slab of social/historical/financial exposition. Somber and humor-free, the novel feels uncomfortably strung between its twin missions to entertain and to teach detailed, repetitive factual lessons.
A love story and an homage to the history of the Cuban people, the latter significantly overshadowing the former.Pub Date: Feb. 6, 2018
ISBN: 978-0-399-58668-2
Page Count: 400
Publisher: Berkley
Review Posted Online: Nov. 13, 2017
Kirkus Reviews Issue: Dec. 1, 2017
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
