Listless, unfocused, dispiriting.
Acevedo’s debut novel is a multigenerational story of life and love in Cuba from 1934 to 1969.
When Josefina Navarro is born, her nurse foresees an unhappy life. As a young woman, Josefina seems determined to realize this destiny. Bored with the privilege she has known, she desires romance and risk—both of which are embodied in Lorenzo Concepción. When Josefina marries him, she leaves Havana for a squalid village, and she trades the protective love of her father for her husband’s persistent infidelity and aversion to gainful employment. Years pass, miserably. After he almost dies in a riot, Antonio Navarro determines to reconcile with his daughter. Unfortunately, Navarro has been reported dead, and, arriving at Josefina’s house, he overhears what he thinks is satisfaction as she speaks of his death. Despondent, he leaves Cuba for Miami. From there, he writes loving letters to Josefina and he pays El Cotorro’s butcher to hand-deliver these missives. Josefina doesn’t see these letters as evidence of her father’s survival; instead, she decides that he’s writing from heaven. She falls in love with the man who—unbeknownst to her—conveys these “ghost letters.” Josefina will lose her lover and find him again. She will rediscover her love for her husband, too, after he is rendered silent and immobile by a stroke. She will even reunite with her father, but none of this feels particularly significant. This story is full of incident and detail, but the action seems inconsequential and the lyrical descriptions never add up to real, knowable characters. It hardly matters, then, that Acevedo has doomed her creations to an inverted magical realism, that—with her fake miracle and her fruitless dabbling in Santería—she invokes enchantment only to deny it, and she offers little in the way of more mundane hope. Josefina’s elderly ménage à trois, her daughter’s escape to Florida: The first is dubious, the second is only briskly described and both are shadowed by Castro’s revolution, introduced by Acevedo in an epilogue.
Listless, unfocused, dispiriting.Pub Date: Sept. 3, 2005
ISBN: 0-312-34046-X
Page Count: 320
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2005
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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