Perfect timing for a Scheherazade-style account of Cuban history.


One woman's story of brutality, courage, tragedy, and love gets a roomful of Cuban refugees through a hurricane.

As Hurricane Flora approaches Cuba in 1963, 82-year-old María Sirena Alonso refuses to evacuate with her neighbors; she is seriously ill and does not want to be saved. But once the storm arrives, a soldier shows up at her door to load her on a bus bound for a shelter. Though she takes nothing with her except a small framed photograph of a little boy, she needs nothing more because her whole life is in her head: "I have a perfect memory. I remember nearly everything I've ever read or heard." Once installed in a room at the erstwhile governor's mansion with a group of women who will ride out the storm together—including an ex-friend whose dead son used to be married to her daughter—María Sirena begins to tell the story of her life, beginning with her birth to Cuban parents on a Spanish ship at the end of the 19th century. Her rebel father is jailed as soon as they reach shore; her resourceful, beautiful mother, Lulu, finds protection for herself and her daughter with another man. When Agustín rejoins them, they are swept into the war against the Spanish. Acevedo's third novel (A Falling Star, 2014, etc.) mingles the recounting of María Sirena's epic family saga, which ends with a heartbreaking confession, with scenes among the women at the mansion. One woman decides to make a break for it: "It is Noraida, swimming in the debris-filled water, her brightly dyed hair like streamers in her wake. We watch as she pushes aside a plastic cup, a sheet of plywood, an umbrella floating upside down and bobbing along." Such irresistible moments of rebellion and bravery define this tale.

Perfect timing for a Scheherazade-style account of Cuban history.

Pub Date: April 7, 2015

ISBN: 978-1-60945-252-0

Page Count: 304

Publisher: Europa Editions

Review Posted Online: Feb. 16, 2015

Kirkus Reviews Issue: March 1, 2015

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There are unforgettable beauties in this very sexy story.


Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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