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THE SWALLOW

A GHOST STORY

Middle-grade storytelling at its very best—extraordinary.

Spooky tension, friendship and compassion permeate this exquisitely plotted middle-grade ghost story.

Polly wants to see ghosts, and Rose can’t stop seeing them. When the two 12-year-olds first meet, hearing each other through the adjoining wall in the attics of their adjacent row houses, Polly is convinced Rose is a ghost—until they meet in person, and even then she’s not sure. Rose certainly looks ghostly, with her pale face, shadowed eyes, and dark, wild hair, and Polly’s twin brothers, Matthew and Mark, are concerned enough to warn Polly away from Rose, afraid she will steal Polly’s soul. But the girls continue their secret friendship, trying to uncover the mystery of Rose’s aunt Winnifred, who, they discover, died at 13 and who, they think, is haunting Rose’s attic. As related in first-person narration that switches from Polly to Rose and back again, even within chapters, the story structure weaves its way in and out—riveting and tumbling with tension but never obvious, leaving readers wondering if anything is really as it seems. The protagonists are both spooky and delightfully down-to-earth, and readers will seesaw between chills and snorts of laughter. When Cotter delivers the final twist, it is a denouement that becomes a springboard for greater revelations that lead to even greater reader satisfaction.

Middle-grade storytelling at its very best—extraordinary. (Fantasy. 9-13)

Pub Date: Sept. 9, 2014

ISBN: 978-1-77049-591-3

Page Count: 320

Publisher: Tundra Books

Review Posted Online: July 15, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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WESTFALLEN

From the Westfallen series , Vol. 1

Compulsively readable; morally uncomfortable.

Six New Jersey 12-year-olds separated by decades race to ensure the “good guys” win World War II in this middle-grade work by the author of The Sisterhood of the Traveling Pants and her brother, a children's author and journalist.

It all starts with a ham radio that Alice, Lawrence, and Artie fool around with in 1944 and Henry, Frances, and Lukas find in 2023. It’s late April, and the 1944 kids worry about loved ones in combat, while the 2023 kids study the war in school. When, impossibly, the radio allows the kids to communicate across time, it doesn’t take long before they share information that changes history. Can the two sets of kids work across a 79-year divide to prevent the U.S.A. from becoming the Nazi-controlled dystopia of Westfallen? This propulsive thriller includes well-paced cuts between times that keep the pages turning. Like most people in their small New Jersey town, Alice, Artie, and Frances are white. In 1944, Lawrence, who’s Black, endures bigotry; in the U.S.A. of 2023, Henry’s biracial (white and Black) identity and Lukas’ Jewish one are unremarkable, but in Westfallen, Henry’s a “mischling” doing “work-learning,” and Lukas is a menial laborer. Alice’s and Henry’s dual first-person narration zooms in on the adventure, but readers who pull back may find themselves deeply uneasy with the summary consideration paid to the real-life fates of European Jews and disabled people. The cliffhanger ending will have them hoping for more thoughtful treatment in sequels to come.

Compulsively readable; morally uncomfortable. (Science fiction/thriller. 10-13)

Pub Date: Sept. 17, 2024

ISBN: 9781665950817

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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