Funny, tender, and endlessly rereadable; storytime gold.
A buoyant, bouncy read-aloud featuring the world’s largest rodent and its avian friend.
A capybara and a big-eyed bird set out together, and from the beginning, the comedic tension is established: The capybara is essentially a water-loving tank; the bird is decidedly not. As the day progresses, the two take part in a series of activities—a leafy lunch, a comfortable wallow, a sunbaked rest—until the capybara’s exuberant splashing drenches its companion. The bird’s irritation is palpable, and the capybara promises not to splash its pal for a week. But when a gator zeroes in on the unsuspecting bird, all promises are cheerfully abandoned. Enter: one very large rodent, one dramatic leap, and a splash heard round the river. Harper’s text is a master class in minimalism, single words and punchy phrases ricocheting across the page like the action itself. “COMFY Capybara” gives way to “TOO HOT, Capybara!” which gives way to “SUPER SPLASH”—the rhythm builds with the inevitability of a drumroll. Onomatopoeia abounds: Pages practically drip and crash and whoosh as the capybara plunges in and out of the river. The art reinforces every beat: flat, minimal shapes in bright blue, tan, and green, with spare compositions that work adeptly with the text to balance the emotional weight: “WORMY STRUGGLE,” “DOUBLE BUBBLE,” “SCARY TROUBLE.” The final “ME AND YOU” lands with quiet, earned sweetness.
Funny, tender, and endlessly rereadable; storytime gold. (Picture book. 3-6)Pub Date: April 14, 2026
ISBN: 9781454958383
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: March 23, 2026
Kirkus Reviews Issue: April 15, 2026
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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