by Charles C. Mann ‧ RELEASE DATE: Aug. 12, 2005
An excellent, and highly accessible, survey of America’s past: a worthy companion to Jake Page’s In the Hands of the Great...
Unless you’re an anthropologist, it’s likely that everything you know about American prehistory is wrong. Science journalist Mann’s survey of the current knowledge is a bracing corrective.
Historians once thought that prehistoric Indian peoples somehow lived outside of history, adrift and directionless, “passive recipients of whatever windfalls or disasters happenstance put in their way”; that view was central to the myth of the noble savage. In fact, writes Mann (Noah’s Choice, with Mark L. Plummer, 1995), Native Americans were as active in shaping their environments as anyone else. They built great and wealthy cities; they lived, for the most part, on farms; and their home continents “were immeasurably busier, more diverse, and more populous than researchers had previously imagined.” In defending this view, Mann visits several thriving controversies in the historic/prehistoric record. One is the question of pre-contact demographics: old-school scholars had long advanced the idea that there were only a few million Native Americans at the time of the Columbian arrival, whereas revisionists in the 1960s posited that there were eight million on the island of Hispaniola alone, a figure punctured by revisionists of revisionism, now beset by Native American activists for the political incorrectness of adjusting the census. Another controversy is the chronology of human presence in the Americas: the old date of 12,000 b.c., courtesy of the Bering Land Bridge in Alaska, no longer cuts it. Other arguments center on the nature of Native American societies such as the Aztec and Inca, the latter of whom built a great empire that, defying Western notions of logic, had no market component. Mann addresses each controversy with care, according the old-timers their due while making it clear that his sympathies lie, in the main, with the rising generation. He closes with a provocative thesis: namely, that the present worldwide movement toward democracy owes not to Locke or Newtonian physics, but to Indians, “living, breathing role models of human liberty.”
An excellent, and highly accessible, survey of America’s past: a worthy companion to Jake Page’s In the Hands of the Great Spirit (2003).Pub Date: Aug. 12, 2005
ISBN: 1-4000-4006-X
Page Count: 480
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2005
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by Charles C. Mann ; adapted by Rebecca Stefoff
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by Éric Vuillard ; translated by Mark Polizzotti ‧ RELEASE DATE: Sept. 25, 2018
In this meticulously detailed and evocative book, history comes alive, and it isn’t pretty.
A meditation on Austria’s capitulation to the Nazis. The book won the 2017 Prix Goncourt.
Vuillard (Sorrow of the Earth: Buffalo Bill, Sitting Bull and the Tragedy of Show Business, 2017, etc.) is also a filmmaker, and these episodic vignettes have a cinematic quality to them. “The play is about to begin,” he writes on the first page, “but the curtain won’t rise….Even though the twentieth of February 1933 was not just any other day, most people spent the morning grinding away, immersed in the great, decent fallacy of work, with its small gestures that enfold a silent, conventional truth and reduce the entire epic of our lives to a diligent pantomime.” Having established his command of tone, the author proceeds through devastating character portraits of Hitler and Goebbels, who seduced and bullied their appeasers into believing that short-term accommodations would pay long-term dividends. The cold calculations of Austria’s captains of industries and the pathetic negotiations of leaders who knew that their protestations were mainly for show suggest the complicated complicity of a country where young women screamed for Hitler as if he were a teen idol. “The bride was willing; this was no rape, as some have claimed, but a proper wedding,” writes Vuillard. Yet the consummation was by no means as smoothly triumphant as the Nazi newsreels have depicted. The army’s entry into Austria was less a blitzkrieg than a mechanical breakdown, one that found Hitler stalled behind the tanks that refused to move as those prepared to hail his emergence wondered what had happened. “For it wasn’t only a few isolated tanks that had broken down,” writes the author, “not just the occasional armored truck—no, it was the vast majority of the great German army, and the road was now entirely blocked. It was like a slapstick comedy!” In the aftermath, some of those most responsible for Austria’s fall faced death by hanging, but at least one received an American professorship.
In this meticulously detailed and evocative book, history comes alive, and it isn’t pretty.Pub Date: Sept. 25, 2018
ISBN: 978-1-59051-969-1
Page Count: 144
Publisher: Other Press
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
GENERAL HISTORY | MODERN | WORLD | MILITARY | HISTORY
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by Éric Vuillard ; translated by Mark Polizzotti
by John Kelly ‧ RELEASE DATE: Feb. 1, 2005
Occasionally unfocused, but redeems itself by putting a vivid, human face on an unimaginable nightmare.
A ground-level illustration of how the plague ravaged Europe.
For his tenth book, science writer Kelly (Three on the Edge, 1999, etc.) delivers a cultural history of the Black Death based on accounts left by those who witnessed the greatest natural disaster in human history. Spawned somewhere on the steppes of Central Asia, the plague arrived in Europe in 1347, when a Genoese ship carried it to Sicily from a trading post on the Black Sea. Over the next four years, at a time when, as the author notes, “nothing moved faster than the fastest horse,” the disease spread through the entire continent. Eventually, it claimed 25 million lives, one third of the European population. A thermonuclear war would be an equivalent disaster by today's standards, Kelly avers. Much of the narrative depends on the reminiscences of monks, doctors, and other literate people who buried corpses or cared for the sick. As a result, the author has plenty of anecdotes. Common scenes include dogs and children running naked, dirty, and wild through the streets of an empty village, their masters and parents dead; Jews burnt at the stake, scapegoats in a paranoid Christian world; and physicians at the University of Paris consulting the stars to divine cures. These tales give the author opportunities to show Europeans—filthy, malnourished, living in densely packed cities—as easy targets for rats and their plague-bearing fleas. They also allow him to ramble. Kelly has a tendency to lose the trail of the disease in favor of tangents about this or that king, pope, or battle. He returns to his topic only when he shifts to a different country or city in a new chapter, giving the book a haphazard feel. Remarkably, the story ends on a hopeful note. After so many perished, Europe was forced to develop new forms of technology to make up for the labor shortage, laying the groundwork for the modern era.
Occasionally unfocused, but redeems itself by putting a vivid, human face on an unimaginable nightmare.Pub Date: Feb. 1, 2005
ISBN: 0-06-000692-7
Page Count: 384
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
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by John Kelly ; illustrated by Elina Ellis
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