A brief, madcap moment in literary chronicles: the house was torn down for the Brooklyn Queens Expressway in 1945.

FEBRUARY HOUSE

Long-time Brooklyn resident Tippins (coauthor, The Irreverent Guide to New York) shapes a lively literary history with some surprising depth around the bawdy house of writers at 7 Middagh Avenue in Brooklyn Heights at the outbreak of WWII.

In October 1940, George Davis, newly fired fiction editor of Harper’s Bazaar, was the impresario behind the renting of the ramshackle house close to the waterfront, where he dreamed of luring the literary lights of the day. Captivating storyteller Davis, having gleaned his literary education in Paris, strong-armed some of the most interesting writers of the time into his orbit, among them W.H. Auden, Christopher Isherwood and the very young southern novelist Carson McCullers, all of whose work he helped publish. On evidence of a dream he had, he convinced McCullers to co-rent the house on Middagh Street, overlooking the Fulton Ferry, and bring in other new friends as tenants, such as the British composer Benjamin Britten; the various politically active children of German novelist Thomas Mann (Klaus, Erika, Golo); and Paul and Jane Bowles, who were allowed to stay only briefly before their Francophilia irritated the Brits. Ailing alcoholic McCullers would shape her extraordinary Ballad of the Sad Café in this house; Auden would meet here his long-time lover of grief, Chester Kallman, and wrestle with important questions concerning the function of the writer during political crisis; and Britten would move from the sophomoric Paul Bunyan to the momentous Peter Grimes. The strangest and most interesting tenant of all was surely stripper-cum-writer Gypsy Rose Lee, whom Davis had known back in his Detroit hometown and whose first successful literary enterprise, The G-String Murders, he helped midwife. Tippins demonstrates some fine research on Auden’s life—and on the first tremulous days of fear and dread as America faced another European war.

A brief, madcap moment in literary chronicles: the house was torn down for the Brooklyn Queens Expressway in 1945.

Pub Date: Feb. 1, 2005

ISBN: 0-618-41911-X

Page Count: 384

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2004

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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