Lambert explores the tangle of family dynamics with characteristic panache.
Two siblings, taking care of their dying father, must face the true extent of the dysfunction in their lives.
The title of Lambert’s novel is ironic: The prodigal son returning to the fold here is Jeremy Eldritch, a middle-aged gay British expat living in Paris who writes “soft-core romantic porn” under a nom de plume and who has recently ended a complicated love affair with a Parisian man. When Jeremy’s older sister, Rachel, calls to tell him their father, their sole remaining parent, is dying, Jeremy reluctantly returns to the family home in England. There, he must deal with Rachel’s contempt for his life in France and with the unexpected presence of two South Asian caretakers overseeing his father’s care. Once he arrives, he realizes there is a great deal he never knew about his family’s past, until it is uncovered in surprising and uncomfortable ways. Alternating between Jeremy’s and Rachel’s perspectives, Lambert intertwines the siblings’ fraught reunion with glimpses backward through the past. We see Jeremy’s early years as an erotica writer and as a young gay man, both of which induce in Jeremy shame and pleasure: “he’d been born to blush and skulk.” Through Rachel’s eyes, we see her bafflement at her brother’s aloofness and at the long-ago dissolution of her marriage to an adulterous husband. As their father lives out his final days, the siblings learn that the question of who we are as individuals, and as families, is always in flux, exposed equally to dissolution or redemption. Though the arc of this domestic drama may be familiar, even occasionally verging on soap operatic, Lambert is a writer full of wit and poignance, especially in portraying the toxicity of White middle-class British society.
Lambert explores the tangle of family dynamics with characteristic panache.Pub Date: Jan. 12, 2021
ISBN: 978-1-910709-49-8
Page Count: 392
Publisher: Gallic Books
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.
What hasn’t legendary legal eagle Grisham tried yet? How about a thriller about serial kidnapping and international terrorism.
When Paul and Chelsea Tanner disappear during a day trip on their Paris honeymoon, their abductors demand a ransom of $2 million from Chelsea’s wealthy parents, and a few days later the same sum from Paul’s much less well-heeled parents. After orthopedist Lowell Clayburn, Chelsea’s father, ponies up the ransom without breathing a word to the authorities, his daughter is promptly released. But even though Paul’s parents sell their home, liquidate their assets, and borrow money from the Clayburns to meet the kidnappers’ demands, the villains hold on to Paul anyway. Asked whether he’s ever seen such an outcome in a double kidnapping, FBI deputy director Andrew Strong tells Lowell: “No, this is a new one.” But it’s not, as Strong knows all too well; it’s the third such active case, all involving honeymooning couples whose bridegrooms had served in the armed forces. After masterfully drawing readers in with his bare-knuckle account of the Tanners’ abduction and the attempt by their families and the CIA to tell the lies required to keep caring friends and the rapacious press at bay, Grisham effortlessly switches gears to follow CIA agent Rae Claire Russo and Stuart Nash, a former Department of Justice prosecutor at Guantanamo Bay who agrees to marry her so they can serve as bait for the kidnappers, whose motives include justice and revenge as well as cold hard cash. So much for the imprisoned Paul’s wistful reflection that “hopefully, it was only about money.”
The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.Pub Date: Sept. 29, 2026
ISBN: 9780385550543
Page Count: 352
Publisher: Doubleday
Review Posted Online: Aug. 17, 2026
Kirkus Reviews Issue: Sept. 15, 2026
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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