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RALPH BUNCHE

MODEL NEGRO OR AMERICAN OTHER?

A quirky biographical sketch of the sometimes forgotten Nobel laureate. Though in his youth during the 1930s, as a political science professor and administrator at Howard University in Washington, D.C., Bunche gained a reputation as something of an armchair radical, he became in later life an enduring symbol of moderation. It was Bunche the research scholar, for example, who helped to guide and write Gunnar Myrdal’s mammoth study of black Americans following the 1935 Harlem riots. On the international front, Bunche was called on as a troubleshooter with the United Nations (where he was director of trusteeship and then undersecretary) to quell warring factions in the Middle East, the Congo, and Cyprus. In light of those and other accomplishments, which included a 1950 Nobel Prize for his Middle East peacemaking role, Henry (African American Studies/Univ. of Calif., Berkeley) wonders why, close to half a century later, most Americans, including blacks, don’t seem to know who Bunche was. Perhaps this was partly Bunche’s own fault. Reserved and even staid, he was unaccustomed to calling attention to himself as either a diplomat or an academic. In fact, his first government job was with the Office of Strategic Services, the forerunner of the CIA, where it’s assumed that reticence is golden—and instrumental. But Henry wants instead to cast Bunche as a controversial and charismatic figure, cut to fit the mold of a W.E.B. DuBois. His explorations in search of this Bunche lead to digressions that would have the reader believe his book is an excursion into black intellectual history, with Bunche as an incidental stop along the way. A basic statement of Bunche’s racial views, for instance, becomes a dissertation on slavery; a movie made about him yields to a long discourse about the role of African-Americans in the movies. These digressions cloud our view of the man. (25 b&w photos)

Pub Date: Jan. 15, 1999

ISBN: 0-8147-3582-7

Page Count: 320

Publisher: New York Univ.

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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