Well-intentioned and superficially attractive, this celebration of children and culture ultimately fails to educate or...
Once again, Smith offers appealing portraits of children in an effort to express the value of diversity (My People, by Langston Hughes, 2009, etc.).
Unfortunately the photographs are of varying quality, the brief text is often banal and repetitive, and some design choices obscure the artwork. Each picture, whether on a single page or double-page spread is captioned with a sentence that begins “I am....” In some cases, the words that follow are evocative and the images compelling: “I am the thread in kente cloth” accompanies a photo of a young, black woman gazing unsmiling into the camera. In others, the words chosen seem odd or inconsequential. Two of the weakest descriptions, “I am the snap in biscotti” and “I am the tradition in pierogi,” fail to effectively convey anything about the cultures they are meant to represent, and the playful, obviously posed photos wind up looking peculiar. On most pages, crisp, clear, white letters stand out against the black background with some words, usually one per page, printed in color to add visual interest. On a few pages, however, words printed across the faces of the children are distracting and difficult to read. Finally, while the appended glossary does offer basic definitions of the words and phrases used, it fails to effectively explain their pronunciation.
Well-intentioned and superficially attractive, this celebration of children and culture ultimately fails to educate or entertain. (glossary) (Picture book. 4-7)Pub Date: July 9, 2013
ISBN: 978-1-4424-2302-2
Page Count: 48
Publisher: Atheneum
Review Posted Online: May 7, 2013
Kirkus Reviews Issue: June 1, 2013
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
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