A magisterial book.
An analysis of secularism from Canadian philosopher Taylor (Modern Social Imaginaries, 2004, etc.), winner of the 2007 Templeton Prize.
If the author had accomplished nothing more than a survey of the voluminous body of “secularization theory,” he would have done something valuable. But, although Taylor clearly articulates his disdain for the view that modernity ineluctably led to the death of God, he goes far beyond a literature review. Insofar as belief in God is a choice, he argues, the West is now a profoundly secular society, and even the most devout in America partake of secularity. How did the West change from a society in which “it was virtually impossible not to believe in God” to one in which belief is optional? What Taylor is after in asking that question is the conditions for belief: Today, one’s “construal shows up as such”—that is, 600 years ago, people wouldn’t have reflected much on or even noticed the fact that they believed in God, but now everyone’s beliefs and non-beliefs are chosen, and they are thus both noticeable and noticed. In tracing the rise of secularism, Taylor ranges through the Reformation, the development of perspective in painting and, more recently, the creation of a youth market and post–World War II America’s obsession with authenticity. Our current society is “schizophrenic,” he concludes. We live in an “ideologically fragmented” world in which both belief and non-belief are under pressure to harness their moral sources to nurture human well-being and to reject violence. In addition to its conceptual value, this study is notable for its lucidity. Taylor has translated complex philosophical theories into language that any educated reader will be able to follow, yet he has not sacrificed an iota of sophistication or nuance.
A magisterial book.Pub Date: Sept. 1, 2007
ISBN: 978-0-674-02676-6
Page Count: 896
Publisher: Belknap/Harvard Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2007
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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