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NUDE NUNS AND OTHER PECULIAR PEOPLE

A COLLECTION OF STORIES FROM THE HEARTLAND

This amalgamation of “distinctly frivolous” stories lacks a strong selling-point, but you get the feeling early and often...

Wells, a businessman from Middle America, presents his debut collection of short stories.

A financial advisor by day, Wells pens each of his vignettes like a cost-benefit analysis, leaving the now-informed reader to choose: buy in or not. In “Basic Training,” a gawky Wells leaves the halls of the Ivy League for the fields of Louisiana. Knowing he is never to face the trenches of Vietnam, Wells simply struggles to survive an attack from a backwoods ginger giant named “Red” and the scapegoating by an unfriendly drill sergeant. While Wells never loses the candor that earned him these consequences, he develops an apology reflex that absolves him of blame in the stories that follow. Moments like in “Coast to Coast,” however—where his youthful irreverence triumphs—make for deadpan gold: a father-son rescue mission of a baby lamb is celebrated with a lamb dinner. Similarly, Wells abandons his cautious, cumbersome reference to a transgender character as “he/she” for a more reckless, though cringe-worthy, character sketch: “striking from a distance…with a voice like Robert Mitchum’s in a beef commercial.” The reader can’t help but cheer on such humorous interludes once arriving at narratives like “Bowling Green,” which has all the levity of a legal brief. Having ignored the subtextual history of slavery and segregation in this piece, Wells adds the section “Race”—a sort of post-script apology for having painted a Pleasantville with Marges and Earls, Minnies and Charlies and no mention of this substantive theme. Yet again, Wells is forgiven of his grave missteps in stories like “Three Funerals” where the punch-line is a whimsical, albeit purposeless, crafting of a country song. But Wells never has the chance to beg forgiveness for the blunder in his final and namesake story, “Nude Nuns”; in the span of five pages, Wells manages to speak past the foot in his mouth, flagging lesbians by their footwear and defining a hot tub as a “conversation pit with tits.”

This amalgamation of  “distinctly frivolous” stories lacks a strong selling-point, but you get the feeling early and often that Wells doesn’t seem to much care whether he makes the sale so long as he gets to make the pitch.

Pub Date: Oct. 29, 2011

ISBN: 978-1450794343

Page Count: 258

Publisher: CreateSpace

Review Posted Online: Feb. 14, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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