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THE PARTY'S OVER

HOW THE EXTREME RIGHT HIJACKED THE GOP AND I BECAME A DEMOCRAT

With the assistance of Henican (co-author, with Dwight Gooden: Doc, 2013, etc.), the former Republican governor of Florida explains why he is now a Democrat.

Echoing the words of Ronald Reagan, Crist told the 2012 Democratic National Convention in Charlotte, “I didn’t leave the Republican Party. It left me.” Many Republicans thought Crist’s betrayal began about four years earlier. At a rally in support of the new president’s economic stimulus package, Crist not only appeared on the same stage as Obama, but got a hug from him to boot. For Republicans, the embrace symbolized Crist’s defiance of current party wisdom that Obama was to be opposed at all costs. For Crist, this Republican “tribalism” was “silly—and wrong,” but his memoir gives evidence that he and his lifelong party had been diverging long before then. Crist was ashamed when the Florida fiasco of 2000 ended with the U.S. Supreme Court awarding the state’s electoral votes and the whole election to George W. Bush, who happened to be brother of then-Governor Jeb Bush. As governor himself six years later, he would upset his party when he pushed to make voting easier for all Floridians, even for former felons. Still calling himself “pro-life,” in practice, he has been loath to use his political offices to come between women and their doctors. As Florida attorney general in 2005, he steered clear of the Terri Schiavo case and was aghast when the Bushes and congressional Republicans tried to use the power of the state to force the comatose woman’s husband to keep her on life support. Democrats, of course, will eat up Crist’s self-presentation as common-sense populist, as well as his unflattering portraits of the Bushes, Karl Rove, Sarah Palin and many other GOP and tea party stars. Republicans will find little to cheer about here, but independent-minded readers might enjoy this front-row view of Florida politics at the turn of the millennium.

 

Pub Date: Feb. 4, 2014

ISBN: 978-0-525-95441-5

Page Count: 320

Publisher: Dutton

Review Posted Online: Dec. 7, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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