An affirming Halloween tale that provides a lesson in self-love.
How intimidating should a pumpkin be?
Before the family who lives at 62 Irving Street heads out to trick-or-treat, they task the O’Lantern brothers with handing out holiday candy. Jack’s wild eyes, crooked teeth, and wicked smile practically personify Halloween; little brother Jeff is all kind eyes, straight teeth, and warm smile. Is he up to the job? Jack immediately assumes command, yelling at costumed kids to take “JUST ONE!” The youngsters each cautiously select a piece and scram. But despite Jeff’s best efforts, he can’t pull scary faces, and his “boo” just makes the youngsters giggle. The tickled trick-or-treaters take advantage of his unthreatening demeanor to grab gobs of goodies. After Jeff trips and rolls off the porch into the street, he meets a crying girl whose bucket has broken, spilling all her candy. He offers to help her trick-or-treat, and after collecting more candy, the grateful girl shares the wealth, filling the empty O’Lantern bowl with treats. Jack assumes that Jeff must have terrified her into complying, but Jeff knows better: “I was myself.” Greenwald threads his cheery tale with a message of self-acceptance, supported by an extensive note that encourages parents to support their children’s individuality. Van Antwerpen’s well-composed pages pack in all the standard Halloween motifs; the cartoon style and use of neon orange, magenta, and green place the emphasis on fun, not scares.
An affirming Halloween tale that provides a lesson in self-love. (Picture book. 4-8)Pub Date: Aug. 4, 2026
ISBN: 9781433848469
Page Count: 32
Publisher: Magination/American Psychological Association
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
BOOK REVIEW
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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