A sparklingly eccentric novel, historically intelligent and wryly amusing.
In Haas’ historical novel, a German family moves to California in search of peace and freedom as the First World War approaches.
In 1914, Anna Lanz, a violin player, lives in Berlin with her husband Gerhard—he builds telephone switchboards— and two not-quite-teenaged children, Benji and Lilli. War is brewing across Europe, and she lives in a state of emergency, waiting for the world to explode. Gerhard is hopelessly impractical and waits idealistically for communism to deliver them salvation. Anna hears about Sunland, a bohemian community that has retreated into the mountainous countryside of Langenhain, where clothing is optional and electricity is frowned upon. Surprisingly, Gerhard agrees to visit for a couple of days with the family, and they become intoxicated with the simplicity and solace of this place that seems free from global tumult and the crassness of modern life. As Richard Weiss, more or less the leader of Sunland puts it: “Do you know what you do? You have people living in a state of obscene decency. Instead of manufacturing you have singing. Instead of money you have good looks. In place of the army you have conversation under the trees.” In this moving and startlingly fresh novel, the Sunland members—with the Lanz family in tow—decide to decamp for San Bernardino County in California, a land where arable farmland is abundant with the reputation of being the “world capital of being left alone.” However, there is no complete escape from the war—the Sunlanders wrestle with the prejudice and suspicion reserved for enemy aliens, which intensifies as the war begins. Moreover, the sexual libertinism of Sunland is not always emancipating, and threatens the marital bond between Anna and Gerhard. Haas’ writing style is supple and bitingly ironic—there is not a hint of preachy didacticism here, and he vividly captures the wages of world war and the sometimes-quixotic responses to it. This is a mesmerizing novel, delightfully funny and unpretentiously wise.
A sparklingly eccentric novel, historically intelligent and wryly amusing.Pub Date: Oct. 3, 2024
ISBN: 9798988550549
Page Count: 368
Publisher: Beck & Branch Publishers
Review Posted Online: Feb. 12, 2025
Kirkus Reviews Issue: April 1, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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