The freshness that marked Lovett’s debut is less evident in this second novel, a predictable tale of romantic suspense that...

FIRST IMPRESSIONS

Was Jane Austen a plagiarist? Modern-day bibliophile and Austen fan Sophie Collingwood hopes not, but can she establish the truth about her favorite author while exploring her beloved uncle’s suspicious death and choosing between two attractive men, asks Lovett’s lightweight new literary mystery?

Who came up with the central plot of Pride and Prejudice? Elderly English cleric Rev. Richard Mansfield, suggests Lovett (The Bookman’s Tale, 2013) in this parallel-narrative tale that explores Austen’s friendship with Mansfield in the late 18th century alongside the contemporary life and loves of Sophie. Sophie became a bookaholic thanks to her uncle Bertram, who adored books and taught his niece to share his passion. When Bertram dies mysteriously, Sophie is heartbroken. Due to inherit his London apartment and book collection, she is further devastated to learn the books have been sold to cover her uncle's debts. Taking a job as an antiquarian bookseller, Sophie finds herself pursued by competing suitors: footloose American academic Eric Hall and smooth publisher Winston Godfrey, who first puts Sophie on the trail of the Rev. Mansfield’s obscure second volume of A Little Book of Allegorical Stories—titled Little Allegories and a Cautionary Talewhich throws up the question about Austen’s invention. Lovett’s love of books and libraries once again energizes his storytelling, but this new plot is more conventional than his first, with Sophie’s chapters verging on chick lit and Jane’s testing the patience of non–Austen-ophiles. Intrepid Sophie, who steals books and has casual sex, is only temporarily outfoxed by the novel’s cardboard villain and soon solves the men dilemma, too.

The freshness that marked Lovett’s debut is less evident in this second novel, a predictable tale of romantic suspense that becomes progressively weaker in its closing chapters.

Pub Date: Oct. 20, 2014

ISBN: 978-0-525-42724-7

Page Count: 320

Publisher: Viking

Review Posted Online: July 23, 2014

Kirkus Reviews Issue: Aug. 15, 2014

Did you like this book?

No Comments Yet

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Reader Votes

  • Readers Vote
  • 12

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Did you like this book?

more