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HOT AIR

A witty and engaging read for those who savor quirky mysteries and likable characters.

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There are strange goings-on in the little Hudson River town of Arnold Falls, where many of the denizens are also a bit odd.

In Suisman’s second novel about Arnold Falls, the first characters readers meet are Jeebie Walker and Will Shaffer, a gay couple who exude good will and curiosity. The audience views the story mostly through Jeebie’s eyes. Readers are quickly introduced to some other players, such as the curmudgeonly Judge Harschly (the author loves puns); Marvin the Hobo, hired as the town’s resident hermit; Bridget Roberts; Mayor Jenny and her adopted Haitian son, Wilky; Fayette de la Nouille; the ancient but still active Aunt Doozy; and a raft of others. And a plot—make that the main plot—slowly emerges. Objects around town have disappeared. This includes Bridget’s Martha Washington mobcap, the illuminated Schlitz sign from the Elks Club, Judge Harschly’s gavel, a vintage Princess phone, and the statue of the town’s “founder,” Hezekiah Hesper. There seems to be no rhyme or reason for these heists; most of the items have only sentimental value, if that. There is also a crew in town filming a TV series called Merryvale(that’s where Fayette comes in), a search for the rules of gumball, a slightly downsized version of baseball, and a demonstration of kulning,the ancient Swedish technique for calling the cows home. Oh, and in a desperate bid for fame—and money—the town agrees to change its name to Emollimax for six months. But the thief is eventually outed, an embezzlement scheme at the local hospital is unearthed and the culprits arrested, and serenity returns to Emollimax or, rather, Arnold Falls (which, by the way, does not have any waterfalls).

Suisman is clearly enjoying himself in this very leisurely paced and sprawling novel. Technically, the entertaining tale is probably a mystery, but instead of the standard fare of violence and dread, the best the author can come up with is low-level anxiety and befuddlement. No one even suffers a scratch. What will also strike readers is all the dialogue. Suisman’s characters just love to talk, whether it is gossip or ruminations on some perplexing mystery over a glass of wine or a stein of Clagger, the local brew. These are very laid-back people, but they’re also ecologically and socially conscious, whether it be looking out for friends—how is Wilky adjusting to his new life and his new mother? Just fine, thank you. Or searching for endangered species, like the northern cricket frog. Jeebie even turns a farm into an animal sanctuary called Fridstöck. And the author loves the odd fact. Readers will tie themselves to Wikipedia to verify things like lightning splitter architecture, Pepper’s Ghost, and a witch’s staircase. (Kulningis a real thing, incidentally.) The writing is clever, and readers get vivid character details, whether it be the cranky but good-hearted Judge Harschly or the sensitive Jeebie, who falls half in love with a cow and is always a bit on edge over his relatively new relationship with Will (he needn’t be). In this sequel, Suisman has again staked out Arnold Falls and a delightful cast. It is a safe bet that readers will be returning soon to the colorful town.

A witty and engaging read for those who savor quirky mysteries and likable characters.

Pub Date: Oct. 13, 2021

ISBN: 978-0-578-99328-7

Page Count: 270

Publisher: Self

Review Posted Online: Oct. 27, 2021

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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