by Charlotte Gordon ‧ RELEASE DATE: May 5, 2015
What the two women had in common was their writing talent, strength, and dedication to the fight for women’s education and...
Gordon (English/Endicott Coll.; The Woman Who Named God: Abraham's Dilemma and the Birth of Three Faiths, 2007) delivers a drama-filled dual biography of Mary Wollstonecraft (1759-1797) and her daughter, Mary Shelley (1797-1851).
In an occasionally confusing style featuring alternating chapters, the author’s biographies of the two Marys show how different their lives were. The daughter of an alcoholic father, Wollstonecraft grew up constantly trying to protect her mother and siblings, circumstances that led her into a lifelong fight for independence and female rights and against marriage. Her publisher, Joseph Johnson, gave her a position as a book reviewer for his monthly Analytical Review, where only initials indicated the author, masking her gender. Johnson eventually sent her to Paris to write about the Revolution, and she became the first foreign correspondent and an unwed mother to boot. Her political writing, especially A Vindication of the Rights of Woman (1792), was highly regarded. She eventually married William Godwin, a political writer with an equally dim view of marriage. Their marriage was happy but short, and Mary died giving birth to her daughter, who spent her life idolizing and emulating her mother. At 16, Mary and her half sister, Jane, ran away to France with Percy Shelley; the only poorer choice would have been his dear friend, Lord Byron. Together, society termed them the “League of Incest.” Mary and Jane vied for Shelley’s attention; Jane eventually had Byron’s child, and polite society shunned them. Mary and Percy eventually married, in hopes of gaining custody of his children from a previous marriage. The widowed Mary successfully carried on her mother’s work, not through political writing but in novels.
What the two women had in common was their writing talent, strength, and dedication to the fight for women’s education and rights. While Gordon tells their stories well, moving back and forth between the Marys can be perplexing.Pub Date: May 5, 2015
ISBN: 978-1-4000-6842-5
Page Count: 672
Publisher: Random House
Review Posted Online: Jan. 17, 2015
Kirkus Reviews Issue: Feb. 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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