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BLACK EARTH CITY

WHEN RUSSIA RAN WILD (AND SO DID WE)

An appealing new voice whispers words that convey the range of human emotions.

An affecting memoir by a young Englishwoman who was studying in Russia as the Soviet system crumbled.

Beginning when she was a child, Hobson describes the weekly Russian lessons near Southampton that her mother, née Tatyana Vinogradoff, took because she did not want to lose the language. Hobson was 17 when her mother died of cancer, and to honor her lost parent she resolved to study Russian herself. Her decision to do so in the remote town of Voronezh instead of Moscow—in 1991, at the very moment the Soviet monolith was cracking—marks her early on as a fearless, even daring traveler. She lived in a seedy hostel where, she writes, “A hubble of languages rose through the smoke and pungent smells of ten dinners cooking in one kitchen.” Hobson uses a swift and accurate brush to paint the portraits of her friends and acquaintances, and despite this brief volume still finds room for indelible portraits of the woman she calls “Liza Minnelli” because of a physical resemblance, Sveta (“She carried her beauty as though it were a mild disability”), and—most searchingly—her lover Mitya, who stands with resignation in a wrenching scene on a train platform as Hobson departs forever for England at year’s end. Hobson’s eye for arresting detail presents a Russian cold so severe that it freezes the town clock solid, and a statue of Stalin whose head has been removed and replaced with that of the local poet Kolstov. And she can set forth a touching tale with a few perfect words, as when she repeats the Russian story of a man who wears iron boots for 20 years, finally removes them . . . and flies away.

An appealing new voice whispers words that convey the range of human emotions.

Pub Date: Jan. 28, 2002

ISBN: 0-8050-6932-1

Page Count: 220

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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