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TABITHA’S TERRIFICALLY TOUGH TOOTH

Middleton’s quirky debut features a spunky heroine and her troublesome, tenacious tooth. Attracted by her father’s tales of a fairy bearing money, Tabitha is overjoyed when she discovers her first loose tooth. Although the recalcitrant tooth wriggles promisingly, it does not fall out. Undeterred, Tabitha concocts some extraordinary schemes to relieve herself of it. Alas, her wacky attempts—which include lassoing a tortoise and tying the string to her tooth, vigorous bouncing on the trampoline, and endeavoring to attract the attentions of a Venus flytrap—all fail to eject the stubborn thing. Desolate and dejected, Tabitha resigns herself to a night without a visit from the Tooth Fairy when a renegade sneeze propels the tooth from her mouth. Middleton’s hilarious tale is just the right prescription for children apprehensively awaiting the loss of their own first tooth, and they’ll be too busy giggling over Tabitha’s escapades to ponder their own anxieties. The offbeat illustrations perfectly complement the text; simple, flat drawings whose bright colors deliberately overlap the lines are set on oversized pages, allowing full range for giant open mouths or off-the-page trampoline bounces. Accompanied by her faithful feline, Tabitha is as much fun to watch as she is to read about. (Picture book. 4-8)

Pub Date: May 1, 2001

ISBN: 0-8037-2583-3

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2001

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THE HUMBLE PIE

From the Food Group series

A flavorful call to action sure to spur young introverts.

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In this latest slice in the Food Group series, Humble Pie learns to stand up to a busy friend who’s taking advantage of his pal’s hard work on the sidelines.

Jake the Cake and Humble Pie are good friends. Where Pie is content to toil in the background, Jake happily shines in the spotlight. Alert readers will notice that Pie’s always right there, too, getting A-pluses and skiing expertly just behind—while also doing the support work that keeps every school and social project humming. “Fact: Nobody notices pie when there’s cake nearby!” When the two friends pair up for a science project, things begin well. But when the overcommitted Jake makes excuse after excuse, showing up late or not at all, a panicked Pie realizes that they won’t finish in time. When Jake finally shows up on the night before the project’s due, Pie courageously confronts him. “And for once, I wasn’t going to sugarcoat it.” The friends talk it out and collaborate through the night for the project’s successful presentation in class the next day. John and Oswald’s winning recipe—plentiful puns and delightful visual jokes—has yielded another treat here. The narration does skew didactic as it wraps up: “There’s nothing wrong with having a tough conversation, asking for help, or making sure you’re being treated fairly.” But it’s all good fun, in service of some gentle lessons about social-emotional development.

A flavorful call to action sure to spur young introverts. (Picture book. 4-8)

Pub Date: Nov. 4, 2025

ISBN: 9780063469730

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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