A spare and lyrical first novel about African-American rituals of faith carried from slave ships to a town in the Pacific Northwest, and about the universal healing power of love. Expanded from a story in Sherman's debut collection (Killing Color, p. 16), this delineates the calamities of three generations of the black community in Pearl, Washington, and especially of 12- year-old Raisin, whose young father committed suicide rather than go to work in the local mines and whose teenage mother then tried to abort her with an African remedy of herbs and berries. Born wrinkled and raised parentless by town matriarch Miss Marius, Raisin has one friend in the world: 14-year-old Sin-Sin, who was conceived when his mother, the local schoolteacher, was seduced by a mysterious male presence wrapped in an orange mist that poured through her window at night and that now inhabits Sin-Sin's dreams and stains his skin. Dreams are plentiful here, since, clairvoyant himself, Sin-Sin is under the tutelage of hermit wanga-man Blue, who's resolved to teach him ancient African woodland ways and to make a man of the fatherless boy. But when Raisin's mother, the Gershwin-esque Nola Barnett, returns to claim her daughter's spirit for the dead who haunt her, all hell breaks loose: Blue sacrifices his life to save Raisin from a drowning suicide; Sin-Sin undergoes a bloody initiation into manhood; Nola chooses life over death for the first time; and Raisin, reconciled to her mother, becomes a woman as she grows into her envelope of wrinkled skin. The spirits of the lake and trees surrounding Pearl form an additional chorus of ancient characters who affect the protagonists' fate. Altogether, there is a tedious emphasis on dark souls, dreams, watery wishes, talking trees, and prescient bones and not enough focus on what's for dinner—all this, even so, in a novel of great promise and considerable interest.
Pub Date: Feb. 17, 1993
ISBN: 0-06-016924-9
Page Count: 224
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1992
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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