Three elderly female friends reunite to clear out the home of a fourth, who recently died, in a short meditation on relationship bonds and the wisdom—and other traits—accumulated over a lifetime.
Largely observing the classical unities of time, place, and action, Wood’s new novel plays out like a small theatrical drama, a chamber piece in which the three characters, both individually and as a group, confront the limits of their friendship. The time is Christmas, the place is Sylvie’s appealing but decaying seaside home in Bittoes, not far from Sydney, and the action spans the weekend during which Jude, Wendy, and Adele, friends for 40 years, meet to empty the place of Sylvie’s belongings. Fastidious, waspish Jude approaches the task efficiently; blowsy actress Adele (“so short and so bosomy”) responds chaotically; and widowed academic Wendy, accompanied by her decrepit dog, Finn, does what she can. Rigid and preoccupied, Jude is awaiting the arrival of her rich long-term lover, Daniel; artistically impoverished Adele is probably homeless now that her latest relationship seems to be ending; while Wendy is fending off the obvious need to have Finn put to sleep. Wood consistently compartmentalizes, and limits, the women—the thin one, the fat one, the pert one; the clever one, the artsy one, the bossy one—while unraveling their separate and overlapping pasts. The present is largely static until a big bang of a finale is set in motion. The novel displays wit, insight, and some astute social commentary, especially on the topic of age, but offers little in the way of engagement or surprises. Meanwhile poor, mangy Finn haunts the proceedings, an ever present specter of decline and mortality.
A neatly observed, tightly circumscribed journey into predictable territory.Pub Date: Aug. 4, 2020
ISBN: 978-0-593-08643-8
Page Count: 272
Publisher: Riverhead
Review Posted Online: May 18, 2020
Kirkus Reviews Issue: June 1, 2020
Categories: FAMILY LIFE & FRIENDSHIP | LITERARY FICTION
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BOOK REVIEW
An unhappy woman who tries to commit suicide finds herself in a mysterious library that allows her to explore new lives.
How far would you go to address every regret you ever had? That’s the question at the heart of Haig’s latest novel, which imagines the plane between life and death as a vast library filled with books detailing every existence a person could have. Thrust into this mysterious way station is Nora Seed, a depressed and desperate woman estranged from her family and friends. Nora has just lost her job, and her cat is dead. Believing she has no reason to go on, she writes a farewell note and takes an overdose of antidepressants. But instead of waking up in heaven, hell, or eternal nothingness, she finds herself in a library filled with books that offer her a chance to experience an infinite number of new lives. Guided by Mrs. Elm, her former school librarian, she can pull a book from the shelf and enter a new existence—as a country pub owner with her ex-boyfriend, as a researcher on an Arctic island, as a rock star singing in stadiums full of screaming fans. But how will she know which life will make her happy? This book isn't heavy on hows; you won’t need an advanced degree in quantum physics or string theory to follow its simple yet fantastical logic. Predicting the path Nora will ultimately choose isn’t difficult, either. Haig treats the subject of suicide with a light touch, and the book’s playful tone will be welcome to readers who like their fantasies sweet if a little too forgettable.
A whimsical fantasy about learning what’s important in life.Pub Date: Sept. 29, 2020
ISBN: 978-0-52-555947-4
Page Count: 336
Publisher: Viking
Review Posted Online: July 14, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Categories: LITERARY FICTION | GENERAL FICTION
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A 15-year-old girl in Colombia, doing time in a remote detention center, orchestrates a jail break and tries to get home.
"People say drugs and alcohol are the greatest and most persuasive narcotics—the elements most likely to ruin a life. They're wrong. It's love." As the U.S. recovers from the repeal of the Deferred Action for Childhood Arrivals program, from the misery of separations on the border, from both the idea and the reality of a wall around the United States, Engel's vital story of a divided Colombian family is a book we need to read. Weaving Andean myth and natural symbolism into her narrative—condors signify mating for life, jaguars revenge; the embattled Colombians are "a singed species of birds without feathers who can still fly"; children born in one country and raised in another are "repotted flowers, creatures forced to live in the wrong habitat"—she follows Talia, the youngest child, on a complex journey. Having committed a violent crime not long before she was scheduled to leave her father in Bogotá to join her mother and siblings in New Jersey, she winds up in a horrible Catholic juvie from which she must escape in order to make her plane. Hence the book's wonderful first sentence: "It was her idea to tie up the nun." Talia's cross-country journey is interwoven with the story of her parents' early romance, their migration to the United States, her father's deportation, her grandmother's death, the struggle to reunite. In the latter third of the book, surprising narrative shifts are made to include the voices of Talia's siblings, raised in the U.S. This provides interesting new perspectives, but it is a little awkward to break the fourth wall so late in the book. Attention, TV and movie people: This story is made for the screen.
The rare immigrant chronicle that is as long on hope as it is on heartbreak.Pub Date: March 2, 2021
ISBN: 978-1-982159-46-7
Page Count: 208
Publisher: Avid Reader Press
Review Posted Online: Dec. 15, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Categories: LITERARY FICTION | FAMILY LIFE & FRIENDSHIP
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SEEN & HEARD
In December 1926, mystery writer Agatha Christie really did disappear for 11 days. Was it a hoax? Or did her husband resort to foul play?
When Agatha meets Archie on a dance floor in 1912, the obscure yet handsome pilot quickly sweeps her off her feet with his daring. Archie seems smitten with her. Defying her family’s expectations, Agatha consents to marry Archie rather than her intended, the reliable yet boring Reggie Lucy. Although the war keeps them apart, straining their early marriage, Agatha finds meaningful work as a nurse and dispensary assistant, jobs that teach her a lot about poisons, knowledge that helps shape her early short stories and novels. While Agatha’s career flourishes after the war, Archie suffers setback after setback. Determined to keep her man happy, Agatha finds herself cooking elaborate meals, squelching her natural affections for their daughter (after all, Archie must always feel like the most important person in her life), and downplaying her own troubles, including her grief over her mother's death. Nonetheless, Archie grows increasingly morose. In fact, he is away from home the day Agatha disappears. By the time Detective Chief Constable Kenward arrives, Agatha has already been missing for a day. After discovering—and burning—a mysterious letter from Agatha, Archie is less than eager to help the police. His reluctance and arrogance work against him, and soon the police, the newspapers, the Christies’ staff, and even his daughter’s classmates suspect him of harming his wife. Benedict concocts a worthy mystery of her own, as chapters alternate between Archie’s negotiation of the investigation and Agatha’s recounting of their relationship. She keeps the reader guessing: Which narrator is reliable? Who is the real villain?
A compelling portrait of a marriage gone desperately sour.Pub Date: Dec. 29, 2020
ISBN: N/A
Page Count: 288
Publisher: Sourcebooks Landmark
Review Posted Online: Sept. 30, 2020
Kirkus Reviews Issue: Oct. 15, 2020
Categories: HISTORICAL FICTION | LITERARY FICTION | MYSTERY & DETECTIVE | GENERAL MYSTERY & DETECTIVE
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