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THE WEEKEND

A neatly observed, tightly circumscribed journey into predictable territory.

Three elderly female friends reunite to clear out the home of a fourth, who recently died, in a short meditation on relationship bonds and the wisdom—and other traits—accumulated over a lifetime.

Largely observing the classical unities of time, place, and action, Wood’s new novel plays out like a small theatrical drama, a chamber piece in which the three characters, both individually and as a group, confront the limits of their friendship. The time is Christmas, the place is Sylvie’s appealing but decaying seaside home in Bittoes, not far from Sydney, and the action spans the weekend during which Jude, Wendy, and Adele, friends for 40 years, meet to empty the place of Sylvie’s belongings. Fastidious, waspish Jude approaches the task efficiently; blowsy actress Adele (“so short and so bosomy”) responds chaotically; and widowed academic Wendy, accompanied by her decrepit dog, Finn, does what she can. Rigid and preoccupied, Jude is awaiting the arrival of her rich long-term lover, Daniel; artistically impoverished Adele is probably homeless now that her latest relationship seems to be ending; while Wendy is fending off the obvious need to have Finn put to sleep. Wood consistently compartmentalizes, and limits, the women—the thin one, the fat one, the pert one; the clever one, the artsy one, the bossy one—while unraveling their separate and overlapping pasts. The present is largely static until a big bang of a finale is set in motion. The novel displays wit, insight, and some astute social commentary, especially on the topic of age, but offers little in the way of engagement or surprises. Meanwhile poor, mangy Finn haunts the proceedings, an ever present specter of decline and mortality.

A neatly observed, tightly circumscribed journey into predictable territory.

Pub Date: Aug. 4, 2020

ISBN: 978-0-593-08643-8

Page Count: 272

Publisher: Riverhead

Review Posted Online: May 17, 2020

Kirkus Reviews Issue: June 1, 2020

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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