by Charlotte Zolotow ; illustrated by Marta Álvarez Miguéns ‧ RELEASE DATE: Aug. 7, 2018
A must-read for introverted kids, it’s a worthy update to the 1963 original.
The story of a shy child and a Halloween costume that helps him connect with new neighbors is reinterpreted again, 55 years after its original publication as A Tiger Called Thomas with illustrations by Kurt Werth.
Tomás stays on the stoop of his new home every day as potential friends pass by, convinced “that the new people might not like him.” The gnawing feeling that he won’t be embraced by the neighborhood worsens until Halloween, when he puts on a tiger costume and disguises himself to meet them all. Of course, the costume doesn’t do much to hide his identity; everyone knows it’s Tomás, to his surprise. But the interactions help him connect in ways he wouldn’t otherwise. The boy and his mother, who are bilingual and presumed Latinx, speak mostly in English with a little Spanish sprinkled in, a hint that a language or cultural barrier may be adding to his shyness. But the Spanish is light at best, mostly parroting English words; it’s not a convincing reason for Tomás’ isolation. Nevertheless, his story rings true, as it has in previous versions of the late author’s story. The illustrations, especially those of melancholy Tomás and his colorful costume, are warm without being cloying, particularly the first time readers see him smile (which happens to be on the last page).
A must-read for introverted kids, it’s a worthy update to the 1963 original. (afterword) (Picture book. 4-8)Pub Date: Aug. 7, 2018
ISBN: 978-1-4926-0171-5
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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