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MY HORIZONTAL LIFE

A COLLECTION OF ONE-NIGHT STANDS

It might work as standup, but when transferred to the page this shtick is a groaner.

Disjointed, lackluster musings on her promiscuous social life, by directionless if cheerful Handler.

The L.A.–based standup comic here relates the meandering story of her many sexual misadventures. She starts with a not-very-amusing incident: at six years old, she was persuaded by her sister to take a picture of her parents having sex. (Dad was pissed: imagine that.) Moving on to her teenaged adventures at the Jersey shore, Handler invites us to find it hilarious that she picked up a good-looking man, had sex with him immediately, and dated him for months despite the fact that she couldn’t stand talking to him. The joke in the next section is that while her father was a racist, she personally dated a wonderful black man, and it inspired her to want to sleep with many more of them. Next comes what’s supposed to be an entertaining misunderstanding involving her sisters and the fact that Handler did not in fact have sex with the naked midget they found in her hotel room. In one genuinely funny moment, the author was dismayed to find that the handsome stripper she picked up wanted to tell her his real name and discuss the fact that what he really wanted to do was act—it figures that she would get stuck with the guy who wanted a real relationship. There is more: the one-night stand who showed up at the restaurant where she worked and was seated in her section, with his girlfriend (Handler pretends she is her own identical twin and has never seen him before); the friend who plays a practical joke on her by telling Handler’s date that she has a terminal disease and just wants to cuddle; the gay friend invited to be her date for a wedding who terrorized her family.

It might work as standup, but when transferred to the page this shtick is a groaner.

Pub Date: June 1, 2005

ISBN: 1-58234-618-6

Page Count: 192

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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