A dystopian world that is all too real and that has much to say about our own.
In an apocalyptic future Canada, Indigenous people have been forced to live on the run to avoid capture by the Recruiters, government military agents who kidnap Indians and confine them to facilities called “schools.”
Orphan Frenchie (Métis) is rescued from the Recruiters by Miigwans (Anishnaabe) along with a small band of other Indians from different nations, most young and each with a tragic story. Miigwans leads the group north to find others, holding on to the belief of safety in numbers. Five years later, Frenchie is now 16, and the bonded travelers have protected one another, strengthened by their loyalty and will to persevere as a people. They must stay forever on alert, just a breath away from capture by the Recruiters or by other Indians who act as their agents. Miigwans reveals that the government has been kidnapping Indians to extract their bone marrow, scientists believing that the key to restoring dreaming to white people is found within their DNA. Frenchie later learns that the truth is even more horrifying. The landscape of North America has been completely altered by climate change, rising oceans having eliminated coastlines and the Great Lakes having been destroyed by pollution and busted oil pipelines. Though the presence of the women in the story is downplayed, Miigwans is a true hero; in him Dimaline creates a character of tremendous emotional depth and tenderness, connecting readers with the complexity and compassion of Indigenous people.
A dystopian world that is all too real and that has much to say about our own. (Science fiction. 14-adult)Pub Date: Sept. 1, 2017
ISBN: 978-1-77086-486-3
Page Count: 180
Publisher: DCB
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
An intense gorefest that will please series fans.
Star-crossed teenaged girlfriends crank up the steam as gangsters, vampires, and drug-spawned monsters leave the streets of Jazz Age Harlem awash in gore in this duology closer.
While blood flows, spurts, or sprays on nearly every page amid a rising tide of gruesomely explicit dismemberments, sundered best friends Layla Quinn, a fanged reaper, who’s struggling to control her blood fury, and Elise Saint, the mortal scion of harsh antireaper regulators, slowly circle back toward one another. But as Layla puts it with both literal and metaphorical accuracy, “There is something rotting underneath Harlem.” Indeed, hardly have the two reunited at last in a passionate whirl of shuddering embraces, than an army of ravening evolved reapers arises. They’re made from human corpses and are dedicated to the forceful assertion of equal rights and housing opportunities for vampires of both the dead and undead sort. Can the smoldering duo form an alliance of regular reapers, gangsters, and ordinary humans to counter the threat and take out its sinister instigator? When it comes to Shakespearean references, Hamlet is just the beginning, and an opening chapter sentence declaring “this ends in blood” applies to far more than just the tragically romantic close. Most cast members are Black.
An intense gorefest that will please series fans. (Fantasy. 15-18)Pub Date: Oct. 21, 2025
ISBN: 9781728297903
Page Count: 512
Publisher: Sourcebooks Fire
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
Lovers of intricate worldbuilding and feverish romance will find this enthralling.
A young man and woman dream amid violence’s aftermath in this intense series opener.
Twenty-year-old orphaned librarian Lazlo Strange, whose brutish exterior conceals his cleverness, dreams of stories of a lost city. Two hundred years ago, six merciless, magic-wielding Mesarthim landed their seraphim-shaped citadel in the legendary city, blocking its skies and cutting it off from the outside world. Fifteen years ago, the Godslayer Eril-Fane ended their reign of terror with the Carnage, and now the city is known only as Weep. Seeking to restore the skies to Weep, reluctant leader Eril-Fane recruits scientists from the world beyond Weep—and bemusedly welcomes Lazlo—to move the allegedly abandoned citadel. But the long-silent structure instead holds five surviving godspawn, gifted offspring of captured humans and cruel gods, equally traumatized by the massacre. Red-haired, blue-skinned 17-year-old Sarai is a dreamer like Lazlo but fears nightmares even as she inflicts them on the citizens below. Besides literal ghosts, Weep is also haunted by loss—lost memories, lost history, and lost half-blood children. Taylor’s lengthy, mesmerizing epic offers an exotic Middle Eastern–esque world with invented words, biology, and mythology, populated by near-humans and strange creatures. The plot (endlessly dilated by dream sequences) is split between the lovers and then again among other narrators, rendered in delirious and sensuous, if repetitive, language. Weep becomes a laboratory in which Taylor examines slavery, trauma, memory, and appropriation, ending this first installment with a cliffhanger that leaves readers wondering if healing is even remotely possible.
Lovers of intricate worldbuilding and feverish romance will find this enthralling. (Fantasy. 14 & up)Pub Date: March 28, 2017
ISBN: 978-0-316-34168-4
Page Count: 544
Publisher: Little, Brown
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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