Not for prudes.
Raucus, sexy memoir by the sensation-seeking pioneer of punk rock.
Cherry Vanilla, born Kathleen Anne Dorritie in 1943, was the youngest of four children of a brutal sanitation worker and indulgent hotel-switchboard operator. After graduating from a Catholic school in Brooklyn, she went on the prowl in Manhattan for sex, drugs rock 'n' roll and a way to make a buck using her street smarts and creative spirit. She first found haven among the Mad Men in ad agencies—mostly of the gay male persuasion—but soon finagled her way into spinning records at a chic nightclub called Aux Puces. She fell into acting for the Ridiculous Theater Company, setting her up to win the lead part in the London production of Andy Warhol’s first theater piece, Pork, based on his lurid phone conversations with Factory “superstar” Brigid Berlin. There, she had a prescient appreciation for David Bowie, whom she would befriend, bed and help get known in America. Meanwhile, the author applied her insatiable appetite for sex—which inspired her to print come-on cards with her number on them to hand to handsome strangers wherever she found them—to a lifestyle she felt a calling for: groupie. The narrative occasionally devolves into a recitation of people that Cherry Vanilla has met (Don Ameche, Dean Martin, Abbie Hoffman, John Lennon, etc.) and had sex with (John Hammond, Kris Kristofferson, Bobby Keys, Cousin Brucie, etc.). Her observations on the ’60s (“the fabulous psychedelic decade that we already sensed would go down in history as the defining one of our generation”) are often clichéd and perfunctory, though this may be a factor of her having spent so many of those years stoned out of her gourd. The most affecting sections deal with her working-class childhood, but throughout, the author’s salty sweetness and lust for life exude from the pages.
Not for prudes.Pub Date: Nov. 1, 2010
ISBN: 978-1-55652-943-6
Page Count: 288
Publisher: Chicago Review Press
Review Posted Online: Aug. 23, 2010
Kirkus Reviews Issue: Sept. 15, 2010
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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