by Cheryl Harness & illustrated by Cheryl Harness ‧ RELEASE DATE: Dec. 1, 2004
“The story of Franklin and Eleanor is a story of overcoming,” Harness writes, and in developing that theme, she pays heartfelt tribute to two lives united by a dedication to service. Opening with a Roosevelt family tree, the author tells their tales in parallel passages—how shy ugly-duckling Eleanor only slowly threw off the influences of a disappointed mother and an overbearing mother-in-law, while Franklin’s stubborn battle with polio “taught the young prince of Springwood humility and an understanding of what it was like to be helpless.” She illustrates with unusually restrained (for her) foreground scenes, flanked by pale, accurate portraits that trace the two principals from youth to old age. The closing resource list is aimed at older readers, but younger ones will come away with a clear sense of the personal qualities that Franklin and Eleanor brought to their partnership, and why, for their accomplishments, they “will always stand tall in the story of their country.” (Picture-book biography. 9-11)
Pub Date: Dec. 1, 2004
ISBN: 0-525-47259-2
Page Count: 48
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2004
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by Cheryl Harness ; illustrated by Carlo Molinari
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by Christy Mihaly ; illustrated by Marta Sevilla ‧ RELEASE DATE: May 26, 2026
Playful, provocative, and packed with perspective.
Did Christopher Columbus really “discover” a new world? Did the Pilgrims invite the Wampanoag to a friendly First Thanksgiving? Is July 4 truly the nation’s birthday?
Readers familiar with traditional narratives of America’s founding are invited to interrogate those myths in this interactive exploration of early U.S. history. A strong introductory framework asks whose stories endure and whose have been erased from the history books, emphasizing that Indigenous peoples remain part of the present, not just the past. Each spread presents a common misconception, then asks readers to flip assumptions aside by lifting a partial gatefold that reveals the true story beneath. Well-sourced explanations elevate figures and communities often excluded from history books, including women, Black Americans, and Indigenous peoples. Bold colors, graphic-heavy layouts, and energetic illustrations that make creative use of historical photos and images break complex ideas into bite-size pieces that encourage browsing over linear reading. A timeline, speech bubbles, and lift-the-flap “True or False” quizzes reinforce the book’s core message: History is layered, debatable, and dynamic. Though the book’s busy, nonlinear design may prove challenging for some, on the whole it works very well as an engaging historical overview. The content assumes a foundational knowledge of early U.S. history, making it most suitable for older elementary readers, though some visual choices skew younger. Backmatter includes more historical information and background on the book’s creation.
Playful, provocative, and packed with perspective. (glossary, resources, photo credits) (Nonfiction. 9-11)Pub Date: May 26, 2026
ISBN: 9798888599082
Page Count: 40
Publisher: Barefoot Books
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
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by Christy Mihaly ; illustrated by Mariona Cabassa
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by Christy Mihaly ; illustrated by Doruntina Beqiraj
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by Christy Mihaly ; illustrated by Sheryl Murray
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PERSPECTIVES
by Marie Day ‧ RELEASE DATE: April 1, 1999
paper 1-895688-87-6 Day uses the prehistoric tale of a young girl coming to terms with her fear of bears to explore the world of cave art. Quennu might be able to handle woolly mammoths and sabre-toothed tigers, but cave bears give her the willies. Her clan’s shaman gives her a bear tooth as a talisman to conquer her fear. On the day when the shaman summons all the people to the cave for an ecstatic painting ceremony, Quennu enters the cave after the others have gone on ahead. At one point she is sure she sees the fiery eyes of an enormous cave bear, yet she carries on, the tooth giving her strength. When she finds her clan in the shadowscape of a great chamber, they are singing and dancing and chanting and applying brushes to the cave walls. Quennu joins in, painting the bear, and putting to rest her fears of the creature, but not her respect for it. Day delivers charged, swirling color and smoky imagery in her illustrations, plus the frisson of transportive mystery that may turn children into future history majors. An explanatory page at the end puts the action into context. (Picture book. 7-11)
Pub Date: April 1, 1999
ISBN: 1-895688-86-8
Page Count: 32
Publisher: Firefly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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