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IN THE FACE OF JINN

Winning and intensely moving, if wildly, romantically far-fetched.

An impressive first by a Hollywood insider (the wife of director Ron Howard) explores the deeply hostile reception two American sisters receive when they penetrate the tightly patriarchal society of Muslim culture.

Accustomed, in the 1990s, to traveling periodically to India and northern areas of Kashmir to dicker with Muslim merchants for the best deals on merchandise for their growing California import-export company, Christine and Liz Shepherd don’t often feel intimidated moving among exotic cultures. Their American citizenship and dollars protect them, until Liz, the elder, and her driver venture out alone for one last buying stop at the small Hindu village of Padamthala, which is subsequently bombed by the Sunni Muslim terrorist group led by the fanatic Farrukh Ahmed—and Liz is missing or presumed dead. Christine, whose father, long deceased, was a chemical engineer who taught her to shoot a gun, sets out on a harebrained scheme to find her sister, coached via cell phone by her father’s best friend and special agent to the FBI, Cloid Dale. Alarmed by hints of a “flesh trade,” Christine accepts the escort of a low-level Indian government employee, Nikhil, who ends up raping her in the desert and triggering a landmine; she takes refuge with a sympathetic Pakistani family, the Javids, who agree, against their better judgment, to drive her into the larger town of Peshawar: Christine is resolved to find the notorious terrorist and reclaim her sister, despite the increasingly hateful treatment she receives at the hands of the men. Howard Crew’s narrative erupts in violence at every stage of Christine’s journey, from rape to gun smuggling to bloody ambushes by vengeful tribes. The plausibility of her story relies on the generous personal detail the author brings to the landscape and characters, and especially to the ancient family customs and protocol of the people Christine encounters along the way.

Winning and intensely moving, if wildly, romantically far-fetched.

Pub Date: April 1, 2005

ISBN: 0-312-32648-3

Page Count: 320

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2005

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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