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I PROMISED MY DAD

The eldest daughter of TV actor/writer/director/producer Michael Landon (Bonanza, Little House on the Prairie, etc.) tells her side of the Landon story—and tells her father's as best she can. Wilson is the daughter of Landon's second wife, Marjorie Lynn Noe, and has eight siblings or quasi-siblings. Landon, dying of cancer at 54, expressed his regret to Wilson that he'd not been allowed by her biological father to adopt her—but that she'd always been his daughter anyway. With this book, she returns the favor by protecting and honoring Landon's memory and by showing how he was her dad even though she'd had weekend contact with her biological father during her mother's marriage to Landon—who had his problems. The son of a mentally disturbed woman, he popped pills during his early years on Bonanza and never gave up heavy use of cheap vodka. But friends and others envied his Romeo-and-Juliet tie with Marjorie, an immense lovey-doveyness that would not allow his eyes to leave her. Landon clearly was a marvelous father to all his children, and much of his home life became grist for scripts he wrote and directed for his various series. Wilson's darkest moment came with an auto accident that killed her three fellow passengers and nearly killed her, and that left her with lifelong pain and a dependency on Percodan. Her use of the painkiller got out of hand and she had to enter rehab. Another tough time came when Landon left Marjorie for his young third wife. The kids were hurt, but the younger ones recovered as part of Landon's new and growing family- -although Wilson felt whipped when Landon shrank her inheritance to much less than expected. The high points here are quite moving, especially Landon going on The Tonight Show to fight the tabloids two months before dying. Well done. (Photos—24 pp. b&w—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-671-79352-7

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1992

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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