A delightful take on the relationship between food, family and tradition.
One woman's quest to reconnect with her family by way of traditional Singaporean food.
Tan's debut memoir explores the connection between taste buds and memory. After her parents' unexpected divorce—as well as falling victim to a brutal restructuring at Wall Street Journal—the author took advantage of her newfound freedom to return home to Singapore, dedicating a year to culinary adventure. She hoped to reacquaint herself with both her family’s recipes and her family itself. Written in the tradition of two classic but different memoirs, Maxine Hong Kingston’s The Woman Warrior (1976) and Julie Powell’s Julie & Julia (2005), the book is a recipe in itself—a dash of conjuring the ancient stories of one's past, a sprinkling of culinary narrative. The result is a literary treat filled with Singaporean tradition, including the surprisingly significant role food plays in the Festival of the Hungry Ghosts and the Moon Festival, among others. Tan argues that stories themselves are a kind of sustenance, and that the oral tradition, like food, begins in the mouth and ends in the stomach. She notes that her journey to Singapore was an attempt to “retrace [her] grandmother's footsteps in the kitchen,” yet she retraces the steps of other relatives as well, including aunts and her mother—all of whom yield information far beyond the recipes. “Cooking wasn't a science; it wasn't meant to be perfect,” she writes. “It was simply a way to feed the people you loved.” As readers meet these loved ones, the narrative becomes all the more engaging. For Tan, cooking functions as a moderator between family members, allowing her to serve all their stories in the proper portions.
A delightful take on the relationship between food, family and tradition.Pub Date: Feb. 8, 2011
ISBN: 978-1-4013-4128-2
Page Count: 304
Publisher: Voice/Hyperion
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 15, 2010
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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