Stories that range from charming to simply macabre, from beautifully crafted to barely formed.
A diverse array of authors explore the heights, depths, and mediocre middle of human sexuality.
The first thing to know about this anthology is that it has a hook: The editors list the names of the 27 contributors in alphabetical order, but these names are not attached to the stories. The idea is that anonymity frees the authors and creates a fun mystery for the reader—although one wonders how many readers outside the worlds of writing and publishing will spend time puzzling over which entry is by Robert Olen Butler and which is by Helen Oyeyemi. The second thing to know about this anthology is that it is not a collection of “erotica.” It is true that each story presented here deals with sex in some way. It’s also true that there may well be readers who find “Woman Eaten by Shark Drawn to Her Gold Byzantine Ring”—a story that delivers precisely what the title suggests—stimulating. But, aside from a handful of stories—such as “Find Me” and “Vis Á Vis 1953”—these are not narratives in which explicit sex is the centerpiece or arousing the reader is the point. “LVIII Times a Year,” a glimpse inside the marriage of two deeply unpleasant people, seems to have been constructed to shrivel desire. “Now he thought of the woman’s gold tooth and ejaculated into the bowl” is the climax (sorry) of a set of scenarios called “Altitude Sickness.” In addition to the aforementioned image of joyless masturbation in an airplane toilet, these vignettes also include a man who can only get an erection aboard the Concorde and the first moments of what appears to be a plane crash. Set in a corporate-owned afterlife, “Asphodel” is a dose of existential horror that ends with an explosion of sexuality that may meet the Lacanian definition of jouissance but is not, in any kind of usual way, hot. There are some lovely stories here. The main character in “One Day in the Life of Josephine Bellanotte Munro” is a middle-aged woman who wants and who knows herself to be wanted. In “This Kind,” clandestine encounters with a baker allow a woman to escape the demands of home, but when he starts needing her emotionally as well as physically, she rediscovers the beauty of what she has with her wife.
Stories that range from charming to simply macabre, from beautifully crafted to barely formed.Pub Date: Feb. 1, 2022
ISBN: 978-1-982177-51-5
Page Count: 368
Publisher: Scribner
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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