An African-American girl loves attending ballet class, tapping to jazz, singing in church and freestyling in the mall, but dancing in “kente cloth is best.” That’s when Maya has a “look of pride on her face”—though why, when kente is the best, she only wears it in one spread is a little mystifying. She can move to every type of music from Bach to reggae to gospel. Maya’s friend, who makes two cameo appearances, narrates this poetic love note. It is all told in verse that is undistinguished and illustrated with full-page oil paintings from Velasquez that are pedestrian but colorful. Many girls may enjoy seeing the different dance outfits, while other readers may be drawn to the African-American children, both boys and girls, who fill the pages. Curiously for a book that emphasizes depictions of African-American characters, though, Maya’s narrator friend is one of the few Caucasians to appear. Sharp eyes may also note some famous musicians on one double-spread. A bit of a jumble, but a pretty one. (Picture book. 4-7)
Pub Date: April 1, 2010
ISBN: 978-0-8109-8328-1
Page Count: 32
Publisher: Abrams
Review Posted Online: Jan. 10, 2011
Kirkus Reviews Issue: March 15, 2010
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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