The ingredients are all here. May this magnificent collection inspire us to move from dialogue to deep action.
This star-studded collection of #ownvoices authors calls readers in for necessary reminders in service of everyday actions that we must pursue to cultivate real change.
This collection is right on time. As many people reach for undifferentiated anti-racist reading lists to catch up to the Black-led front lines of today’s social movements, the Hudsons take an approach for young readers that emphasizes intergenerational relationships, familial intimacy, and intersectional justice. These are “real conversations,” both in that many of them draw from true personal experiences and also in the sense that they revel in depth and substance. The editors put it this way: “With advice and love, harsh realities and encouraging words, the talks offered in this anthology…embrace honest ways of thinking that help expand ourselves and others in a complex and diverse society.” Each contribution has its own unique viewpoint paired with arresting grayscale illustrations; together they take on a diversity of forms including prose, poems, and comics. Race plays a central role, yet the conversations expand beyond a Black-White binary to be inclusive of Asian, Latinx, and Native experiences as well. An all-star list of authors and illustrators appears throughout the pages—an embarrassment of literary riches. Backmatter includes explanatory notes from some of the authors, and biographical notes on all the contributors. It’s a perfect sequel to the Hudsons’ critically acclaimed collection We Rise, We Resist, We Raise Our Voices (2018).
The ingredients are all here. May this magnificent collection inspire us to move from dialogue to deep action. (backmatter) (Anthology. 10-adult)Pub Date: Aug. 11, 2020
ISBN: 978-0-593-12161-0
Page Count: 128
Publisher: Crown
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
Essential.
A guidebook for taking action against racism.
The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.
Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)Pub Date: Jan. 7, 2020
ISBN: 978-0-7112-4521-1
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
PROFILES
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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