Adichie weaves stories of heartbreak and travail that are timely, touching, and trenchant.
Four African women are poised at emotional crossroads that compel them to scrutinize their lives.
Isolated by the 2020 Covid-19 pandemic, Chiamaka, a novelist-turned–travel writer sheltering in suburban Maryland, is struggling to stave off boredom and loneliness through regular Zoom calls with family and friends in the U.S., Europe, and her native Nigeria. It’s not enough, and soon this professional tourist resorts to filling the empty spaces of time with mental excursions through the ruins of past love affairs beginning with Darnell, “the Denzel Washington of academia,” whose magnetism created waiting lists for his art history classes and had Chiamaka looking past his personal slights—for a while, anyway. Then there was Chuka, a more considerate and less mercurial man who shared both her African homeland and an address in the Washington, D.C., area. Nothing wrong there besides what Chia characterizes as “that exquisite ache of wanting to love a lovely person that you do not love.” As in her previous works of fiction—most recently Americanah (2013)—Adiche makes her prose hum and throb with elegantly wrought and empathetic observations. This style extends into the stories of three other women in Chia’s life. Zikora, her best friend, is a tough-minded Nigerian attorney accustomed to speaking brutal truths to others but vulnerable to ill-starred love affairs with men she thinks of as “thieves of time,” one of whom leaves her while she's pregnant, forcing her to raise a child alone—though not without unexpected help. Kadiatou, Chia’s Guinean housekeeper, has overcome challenging odds in raising her gifted daughter, Binta, by herself in America, but is the innocent victim of a sordid scandal that jeopardizes her future. And Chia's cousin, the glamorous, self-possessed Omelogor, is a formidable presence in Nigerian finance but prone to melancholy, rumination, and regret. In today's world, when people seem at once too cut off and too much in each other's business, readers will feel communion with these tense, put-upon, yet resilient women in crisis.
Adichie weaves stories of heartbreak and travail that are timely, touching, and trenchant.Pub Date: March 4, 2025
ISBN: 9780593802724
Page Count: 416
Publisher: Knopf
Review Posted Online: Jan. 22, 2025
Kirkus Reviews Issue: Feb. 15, 2025
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Simply charming.
A lovable gaggle of competitive quilters attempts to defy the odds.
The ladies of the Ogden Quilters Association are gearing up for another Simpton Family Quilting Extravaganza, and this year’s nationwide competition is extra special: It’s taking place just an hour away in Smithfield, Utah. For Betty Lou Dearden, OQA’s leader and most faithful member, who never misses a Wednesday quilting night and delights in reading the bylaws, this is a dream come true—a chance to put Utah quilting on the map. But beneath her bubbly surface, Betty Lou is struggling—longtime member Leera Smeeth has been passive aggressively shooting down Betty Lou’s ideas and attacking her sense of self for years (see: a particularly biting comment about her beloved peach bathroom); her children rarely visit; and her husband’s health is declining. And to top it off, OQA is down a member since Terry Blackfoot left following the oft-referenced but never explained “needle incident.” OQA’s remaining members—flighty but lovable Lucy Jones; dependable Diane Williams and her roommate, Alice Flagstaff; and innovative Candace Braithwaite—need more support. Enter Byron Grant, a gay sewing store manager who deals in rumor and gossip as much as in thread and batting, and his best friend, shy, artistic Rob, both younger than the youngest OQA member by about 30 years. Don’t worry, there’s nothing in the bylaws expressly prohibiting men. And so this quirky group of artisans attempts to dethrone the always-winning, clearly evil Logan Quilters Society (“We don’t hate anyone!...We just don’t prefer to associate with cheaters”), all the while wrestling with interpersonal conflict, trauma, and, let’s face it, a few tacky ideas. The plot is silly and largely predictable, but McCann’s prose is bursting at the seams with humor and genuinely tender, touching moments. You’ll root for these misfits from Page 1.
Simply charming.Pub Date: Sept. 8, 2026
ISBN: 9798890920461
Page Count: 260
Publisher: Torrey House Press
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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