Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2025


  • New York Times Bestseller

Next book

DREAM COUNT

Adichie weaves stories of heartbreak and travail that are timely, touching, and trenchant.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2025


  • New York Times Bestseller

Four African women are poised at emotional crossroads that compel them to scrutinize their lives.

Isolated by the 2020 Covid-19 pandemic, Chiamaka, a novelist-turned–travel writer sheltering in suburban Maryland, is struggling to stave off boredom and loneliness through regular Zoom calls with family and friends in the U.S., Europe, and her native Nigeria. It’s not enough, and soon this professional tourist resorts to filling the empty spaces of time with mental excursions through the ruins of past love affairs beginning with Darnell, “the Denzel Washington of academia,” whose magnetism created waiting lists for his art history classes and had Chiamaka looking past his personal slights—for a while, anyway. Then there was Chuka, a more considerate and less mercurial man who shared both her African homeland and an address in the Washington, D.C., area. Nothing wrong there besides what Chia characterizes as “that exquisite ache of wanting to love a lovely person that you do not love.” As in her previous works of fiction—most recently Americanah (2013)—Adiche makes her prose hum and throb with elegantly wrought and empathetic observations. This style extends into the stories of three other women in Chia’s life. Zikora, her best friend, is a tough-minded Nigerian attorney accustomed to speaking brutal truths to others but vulnerable to ill-starred love affairs with men she thinks of as “thieves of time,” one of whom leaves her while she's pregnant, forcing her to raise a child alone—though not without unexpected help. Kadiatou, Chia’s Guinean housekeeper, has overcome challenging odds in raising her gifted daughter, Binta, by herself in America, but is the innocent victim of a sordid scandal that jeopardizes her future. And Chia's cousin, the glamorous, self-possessed Omelogor, is a formidable presence in Nigerian finance but prone to melancholy, rumination, and regret. In today's world, when people seem at once too cut off and too much in each other's business, readers will feel communion with these tense, put-upon, yet resilient women in crisis.

Adichie weaves stories of heartbreak and travail that are timely, touching, and trenchant.

Pub Date: March 4, 2025

ISBN: 9780593802724

Page Count: 416

Publisher: Knopf

Review Posted Online: Jan. 22, 2025

Kirkus Reviews Issue: Feb. 15, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 127


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 127


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 80


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

Awards & Accolades

Likes

  • Readers Vote
  • 80


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

Close Quickview