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WOODPECKER GIRL

Gorgeous artwork within a disappointing framing of disability.

A physically disabled girl paints by using a brush attached to a headband.

This Taiwanese import ostensibly crafted by three creators—two authors, one illustrator, no translator—actually has four creators: Huang Yipei, the model for the protagonist, made paintings that Doll integrates into the illustrations. Doll’s breathtaking paintings, with Huang’s work seamlessly incorporated, shimmer with swaths of soft and rich colors, warm and harmonious. Angles are steep, scale dramatic—the protagonist is often miniscule. Canvas texture under the paint adds depth. On one spread, the protagonist sits in her wheelchair, half-hidden behind a door, at the faraway end of a stark path of light; a storm cloud unleashes rain onto her head while, in the foreground, un-rained-upon children play with a puppy. She can’t play with the puppy because her chair’s wheels “might roll onto him,” but why can’t someone lift him onto her lap? The text’s tragic view of disability—“All I can do is sit quietly”—shows some uplift with the introduction of assistive technology (a headband-brush to paint; a computer to speak), bringing the girl freedom and joy. But the text doesn’t let her do it for herself; even though she loves making art, it hurts, but she will do it to bring happiness to others. Her specific disability—cerebral palsy—goes unacknowledged until the backmatter, where notes from all three creators and Huang’s mother overcorrect the tragic viewpoint, framing Huang as an inspiration.

Gorgeous artwork within a disappointing framing of disability. (Picture book. 4-9)

Pub Date: May 29, 2020

ISBN: 978-1-4788-6954-2

Page Count: 40

Publisher: Reycraft Books

Review Posted Online: March 24, 2020

Kirkus Reviews Issue: April 15, 2020

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THE HUMBLE PIE

From the Food Group series

A flavorful call to action sure to spur young introverts.

In this latest slice in the Food Group series, Humble Pie learns to stand up to a busy friend who’s taking advantage of his pal’s hard work on the sidelines.

Jake the Cake and Humble Pie are good friends. Where Pie is content to toil in the background, Jake happily shines in the spotlight. Alert readers will notice that Pie’s always right there, too, getting A-pluses and skiing expertly just behind—while also doing the support work that keeps every school and social project humming. “Fact: Nobody notices pie when there’s cake nearby!” When the two friends pair up for a science project, things begin well. But when the overcommitted Jake makes excuse after excuse, showing up late or not at all, a panicked Pie realizes that they won’t finish in time. When Jake finally shows up on the night before the project’s due, Pie courageously confronts him. “And for once, I wasn’t going to sugarcoat it.” The friends talk it out and collaborate through the night for the project’s successful presentation in class the next day. John and Oswald’s winning recipe—plentiful puns and delightful visual jokes—has yielded another treat here. The narration does skew didactic as it wraps up: “There’s nothing wrong with having a tough conversation, asking for help, or making sure you’re being treated fairly.” But it’s all good fun, in service of some gentle lessons about social-emotional development.

A flavorful call to action sure to spur young introverts. (Picture book. 4-8)

Pub Date: Nov. 4, 2025

ISBN: 9780063469730

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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