This subtle collection is elegant, honest, and empowering.
Eight stories of ordinary women living complex lives can also be seen as eight stories of complex women living ordinary lives.
In these stories, set largely in Seoul, Korean women ranging in age from 10 to 80 navigate the everyday with a quiet determination to allow themselves joy. Often, the stories give the reader insight into family dynamics in the context of the larger society’s repression. In the collection’s tender opening story, “Under the Plum Tree,” the narrator’s oldest sister, Geumju, is set adrift from a life controlled by the labor of duty by Alzheimer’s disease, finally affording her time to enjoy simple pleasures. In “Runaway,” the narrator’s elderly father runs away from home in order to “start living [his] life” in the years he has left. Though his children and their mother are at first distraught, the father’s absence allows them the space to reveal themselves to each other as fully rounded humans, rather than automatons fulfilling their familial roles. Other stories take on the foundational misogyny of a patriarchal culture more directly: In “Grown-up Girl,” a woman who self-identities as a feminist finds herself conflicted by the way her high school aged daughter stands against unwanted sexual attention. In the sublime “Night of Aurora,” an aging woman struggles with her aversion to being asked to help raise her grandson as society expects, while her daughter struggles with her own aversion to quitting work to dedicate herself solely to motherhood. Throughout the collection floats the specter of Miss Kim—a model for the possibilities of Korean womanhood who is sometimes an icon for the rights of women to live self-determined lives, sometimes a literal incarnation of the invisibility of women’s labor, and sometimes a foil for the narrator’s own complicated feelings about gender roles, duty, aging, and the relationships between mothers and daughters. Spare but never stark, weary but never despairing, Cho’s trim prose examines the under-seen world of women with a keen appreciation for all the possibilities for their lives—including the ones they themselves may not be able to imagine.
This subtle collection is elegant, honest, and empowering.Pub Date: Oct. 29, 2024
ISBN: 9781324095316
Page Count: 224
Publisher: Liveright/Norton
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
BOOK REVIEW
BOOK REVIEW
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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