Abrasive, accusatory, despairing and, more than often enough, quite unforgettable fiction.
Illness, loss and grief assume ingeniously arresting forms in this short-story collection from a uniquely gifted author who is also a practicing pediatrician and divinity-school student.
Adrian (The Children’s Hospital, 2006, etc.) once again voices the preoccupation with denying death that was so prominent in his sui generis debut novel, Gob’s Grief (2001). Nine often harrowing tales explore the darkness within children rendered older than their years with an intensity reminiscent of Ambrose Bierce and a penchant for fablelike indirection that echoes Angela Carter, with an occasional whiff of Nathaniel Hawthorne’s insistent symbolism. The obsessiveness of Adrian’s fiction reveals itself in recurrent narrative patterns. This method emerges clearly in “High Speeds,” which depicts an intellectually precocious boy coping with his father’s death in a plane crash (during a drug run), his nowhere mother and his deeply disturbed younger brother by concealing himself inside a rebellious fantasy world inspired by the loopy Martian adventure novels of Edgar Rice Burroughs. Similarly outré protagonists crop up frequently. “The Vision of Peter Damien” shows a boy who seems immune to illnesses afflicted by omens derived from the incidents of 9/11 (repeatedly channeled in several stories) that promise a cleansing apocalypse. In the title story, a grown man caring for his dying father is visited and abused by a quarrelsome angel. And in “Why Antichrist?” a boy hoping to commune with his dead father accidentally summons Satan instead. An overload of suffering little ones who develop similar otherworldly traits, plus numerous sets of twins and doppelgängers, edge the collection perilously close to risibility. But Adrian’s best pieces will haunt you unmercifully: “The Sum of Our Parts” (disembodied spirit of a suicide prowls the hospital ward); “Stab” (separated Siamese twin represses the loss of his brother by joining a deranged girl’s killing spree); and “A Child’s Book of Sickness and Death” (stories compiled by the surviving bearer of horrific birth defects).
Abrasive, accusatory, despairing and, more than often enough, quite unforgettable fiction.Pub Date: Aug. 12, 2008
ISBN: 978-0-374-28990-4
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2008
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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