Bachelder’s take on manhood is sharply observed and sympathetic and funny enough to win over even those readers who abhor...
GET IT
In this comic dissection of male bonding, a group of men gathers for their yearly celebration and re-enactment of a notorious play in professional football.
In their 17th annual gathering, 22 men arrive at a 2 ½–star hotel on U.S. Interstate 95 for a weekend of rituals tied to the five seconds in 1985 when Lawrence Taylor of the New York Giants sacked Washington Redskins quarterback Joe Theismann and fractured the tibia and fibula of his right leg, ending his career. Bachelder (Abbott Awaits, 2011, etc.) looks at the strange, inane, and obvious things American males deem holy—as well as the many small pains they tend to share without “sharing.” Among the weekend’s big moments are the lottery assigning each man’s role as a real-life athlete from the 1985 game, the viewing of video of the sack, and the re-enactment itself. Bachelder seems able to riff wryly on almost anything. One conversation concerns those whose wives have asked them to sit while urinating. Another details a man’s attraction to the women pictured in illustrated children’s books. Yet another drifts “inevitably toward vasectomy and time share.” Eight delightful pages begin: “It would be difficult to overstate the men’s enthusiasm for continental breakfast.” As a group, the middle-aged men produce “waves of masculine sound, the toneless song of regret and exclamation." They often talk in a “complex alloy of sincerity and derision.” One on one, they may speak quietly of their children and marriages and wonder when “daily life [would] cease to consist of a series of small threats.”
Bachelder’s take on manhood is sharply observed and sympathetic and funny enough to win over even those readers who abhor football and its fans.Pub Date: March 14, 2016
ISBN: 978-0-393-24946-0
Page Count: 224
Publisher: Norton
Review Posted Online: Aug. 16, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Categories: LITERARY FICTION
Did you like this book?
BOOK REVIEW
BOOK REVIEW
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
GET IT
Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 15, 2020
Kirkus Reviews Issue: April 1, 2020
Categories: LITERARY FICTION | GENERAL FICTION
Did you like this book?
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
GET IT
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 21, 2019
Kirkus Reviews Issue: Feb. 1, 2019
Categories: LITERARY FICTION | HISTORICAL FICTION
Did you like this book?
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
© Copyright 2020 Kirkus Media LLC. All Rights Reserved.
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
