Though it is not for every Jewish household, this Hanukkah book for the very young has its place.

IS IT HANUKKAH YET?

Wintry scenes form the background for anticipation of the upcoming weeklong celebration of Hanukkah.

A young family enjoys the pleasures of playing in the snow then comes inside to a warm house, where the traditional preparations for Hanukkah begin, from creating and displaying decorations to the making of latkes to the counting of candles for the menorah. A celebratory eagerness is present in the simple rhyming text. “When glitter and paper are spread on the floors / And we hang decorations on windows and doors… / Hanukkah is on its way. / When cousins come over to stir, fry, and bake / The applesauce, latkes, and cookies we’ll make… / Hanukkah is on its way.” The sweet, charming illustrations, many in double-page spreads, depict how the family works together to celebrate with food, songs, and a game of dreidel. Unfortunately, there is no mention of the holiday’s significance or the reasons for the traditions outlined, perhaps indicating an assumed secular audience. Other aspects of the depicted celebration confirm this. They prepare decorated cookies rather than doughnuts, the traditional, oil-fried sweet treat offered after latkes, and the last scene, in which the family gazes through the window on a cold winter night, does not include the all-important lit menorah as it is placed in many traditional Jewish homes (though it is present in several interior scenes).

Though it is not for every Jewish household, this Hanukkah book for the very young has its place. (Picture book. 3-5)

Pub Date: Oct. 1, 2015

ISBN: 978-0-8075-3384-0

Page Count: 32

Publisher: Whitman

Review Posted Online: Aug. 12, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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Skip this well-meaning but poorly executed celebration.

I LOVE DADDY EVERY DAY

Children point out the things they love about their fathers.

“Daddy is always kind. He gives us support and shelter when things go wrong.” A child with a skinned knee (and downed ice cream cone) gets a bandage and loving pat from Daddy (no shelter is visible, but the child’s concerned sibling sweetly extends their own cone). Daddy’s a storyteller, a magician, supportive, loyal, silly, patient, and he knows everything. A die-cut hole pierces most pages, positioned so that the increasingly smaller holes to come can be seen through it; what it represents in each scene varies, and it does so with also-variable success. The bland, nonrhyming, inconsistent text does little to attract or keep attention, though the die cuts might (until they fall victim to curious fingers). The text also confusingly mixes first-person singular and plural, sometimes on the same page: “Daddy is like a gardener. He lovingly cares for us and watches us grow. I’m his pride and joy!” Even as the text mixes number the illustrations mix metaphors. This particular gardener daddy is pictured shampooing a child during bathtime. Más’ cartoon illustrations are sweet if murkily interpretive, affection clearly conveyed. Troublingly, though, each father and his child(ren) seem to share the same racial presentation and hair color (sometimes even hairstyle!), shutting out many different family constellations. Más does, however, portray several disabilities: children and adults wearing glasses, a child with a cochlear implant, and another using a wheelchair.

Skip this well-meaning but poorly executed celebration. (Picture book. 3-5)

Pub Date: March 24, 2020

ISBN: 978-0-593-12305-8

Page Count: 32

Publisher: Rodale Kids

Review Posted Online: March 18, 2020

Kirkus Reviews Issue: April 1, 2020

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