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BEFORE YOU KNOW KINDNESS

The finely drawn scenes and characters here will suck in all but the hardest-hearted. Pretty much irresistible.

The privileged summer of a prosperous family is shortened by a bullet in the night.

Courteously observing dramatic unities, Oprah-blessed Bohjalian (Midwives, 1997; The Buffalo Soldier, 2002, etc.), America’s answer to Joanna Trollope, sees to it that the jammed rifle in the back of Vermont lawyer John Seton’s borrowed Volvo goes off to critical effect when it’s fired by 12-year-old-going-on-16 Charlotte McCollough into her father’s right shoulder. The great irony in this suavely perceptive story is that novice hunter Seton’s bullet had been intended for a deer, a deep dark secret hitherto kept from the brutally winged Spencer McCollough, Seton’s brother-in-law and the public face of FERAL, an animal activist organization. Spencer has been vegan since repenting of the murder of countless lobsters as a kitchen laborer during his college years, and his dedication to the well being of animals is deep and long-standing. That dedication, Bohjalian politely points out, has not always extended to the animals in his own herd—wife Catherine, a meat-sneaking Brearley instructor, and daughter Charlotte. In fact, his vegetarian rigidities and professional absences have so distressed Catherine that she was ready to discuss separation just before the pot- and beer-befuddled Charlotte fired the rifle at what she thought might be the deer that had ruined that summer’s ambitious vegetable garden. Nan Seton, Catherine and John’s immensely energetic, capable, and prosperous mother, manages the immediate effects of the crisis, which occurred at her New Hampshire cottage, but she is helpless to patch the rift that develops between the families of her two children when Spencer refuses to forgive his deeply repentant brother-in-law and allows FERAL to push for publicity and a lawsuit. The balance of power rests with Charlotte’s younger cousin Willow, a real sweetheart who’d shared that spliff with Charlotte hours before the disaster.

The finely drawn scenes and characters here will suck in all but the hardest-hearted. Pretty much irresistible.

Pub Date: Oct. 1, 2004

ISBN: 1-4000-4745-5

Page Count: 448

Publisher: Shaye Areheart/Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2004

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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