A compelling story about two people who long for their spouses in a time of war.
A gravely wounded Union soldier heals with the ministrations of a Southern woman.
It’s 1864 in Virginia, and Union Captain Jonathan Weybridge loses his right leg and several fingers on the battlefield at Gilbert’s Ford. A fellow soldier stanches the bleeding by applying a tourniquet, but otherwise leaves him to die. Then, a formerly enslaved woman named Sally discovers him and brings him to the home of 24-year-old Libby Steadman. She is a white woman whose husband, Peter, had freed the people enslaved at the gristmill he inherited and is now in a Yankee prison, if he’s even still alive. Sally and her husband, Joseph, now work at the gristmill, but the other freed slaves have long since skedaddled. Libby has a 12-year-old niece, Jubilee, who refers to Weybridge as a jackal, a not uncommon insult hurled at Union soldiers. Weybridge’s health slowly returns while he frets about his wife in Vermont. Libby and her family come to recognize his human decency, that he’s more than simply a jackal or a “bluebelly.” Meanwhile, rumors circulate that Libby is harboring a wounded Yankee, and she and her family go to great lengths to hide him. She and the captain will quickly hang if discovered. She secretly enlists the help of a local doctor and part-time drunk whom she isn’t convinced she can trust, but she has no choice. Will Libby and the captain ever hear from their beloved spouses again? She refers to him as “someone…I kept alive at a price I could not afford.” Bohjalian’s inspiration for the novel comes from documented historical events—a Virginia woman really did save a Union soldier who’d hailed from Vermont—and the set-up has led to a masterful yarn. No one knows how close to each other the real people became, and there’s no evidence that the real Libby ever shot two Confederate soldiers dead with a Colt pistol or that a freedman (Joseph, in the story) killed a man who’d tried to rape her. Those and other details are a credit to the author’s imagination. If there is a nit to pick, it’s with a title that might misdirect readers’ expectations. It’s not wrong, but don’t expect anything steamy or licentious.
A compelling story about two people who long for their spouses in a time of war.Pub Date: March 11, 2025
ISBN: 9780385547642
Page Count: 336
Publisher: Doubleday
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
SEEN & HEARD
Fast-moving and disturbingly plausible.
Robots may be the future of warfare in this final father-son DeMille collaboration.
In Camp Hayden, Army Maj. Roger Ames is found dead, his skull crushed. Chief Warrant Officers Scott Brodie and Maggie Taylor, special agents of the United States Army Criminal Investigation Division, are sent to the Mojave Desert, “a.k.a. in the middle of nowhere,” to investigate. In this fictional military installation, Army Rangers conduct field training exercises with lethal autonomous weapons. These “dangerous new toys,” nicknamed “tin men,” may become the future of warfare if they can be programmed to distinguish between friend and foe. Anyway, the Rangers’ job is to train the tin men, not the other way around. They are AI-driven robotic prototypes called D-17s, but even prototypes can kill. Did a bot kill the major? And was there criminal liability or intent, or was it a tragic accident? Brodie and Taylor discover that not everyone loves these beasts, and they must find out if humans are programming them for mischief or even trying to set up the program for failure. Meanwhile, the bots have nicknames. Bot number 20 is Bucky, seen on a video as a “seven-foot-tall titanium machine with hands covered in blood and brain matter” that has “a face but no eyes, with hands but no skin, with a body but no soul.” As scary as these beasties are, Brodie and Taylor must also look at the humans at Camp Hayden, because they learn that the “machines don’t have motives….They have inputs and outputs,” which naturally come from human programmers. They have neither brains nor courage nor honor; they do have brute force, speed, and agility. Obviously, plenty goes haywire in this enjoyable yarn. It feels a bit too believable for comfort, and that’s to the DeMilles’ credit as storytellers. Nelson DeMille had begun this project with his son Alex, who had to finish it alone after his father’s death.
Fast-moving and disturbingly plausible.Pub Date: Oct. 28, 2025
ISBN: 9781501101878
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: July 19, 2025
Kirkus Reviews Issue: Aug. 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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