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REDEMPTION SONG AND OTHER STORIES

A rich collection full of work of accomplishment and great promise alike.

Annual installment of the prize volume honoring short stories by African writers.

Established in 2000, the Caine Prize recognizes short stories of distinction published by African writers, which is to say, a native or citizen of an African nation or someone who has a parent of African birth or nationality. The present volume includes the five stories shortlisted for the prize, three of them by Nigerian writers this year, as well as a dozen stories by developing writers written at the Caine Prize Writers' Workshop. Several pieces speak to the experience of African immigrants in the U.S. The story “Departure,” by the Cameroonian writer Nsah Mala, is a case in point, one that opens on a note of foreboding: “It wasn’t the first night sleep had divorced her.” Nangeh has visions, one of which comes to her as she drops a bucket into a well: She is returning on a plane from America, with piles of cash and “big suitcases of American products.” Indeed, she’s won a green card lottery, but now she needs the money to get there. Alas, says the District Officer, whom she approaches for help, the only way she’ll get there is to marry his son—and never mind the fact that Nangeh is already married. It’s a story that does not end well, for all the promise of a new world. Just so, Rwandan writer Caroline Numuhire recounts the travails of a young woman who finds herself, improbably, in Tulsa, Oklahoma, caught up in just such a web. She frees herself, returning home alone: “Had it been beauty, intelligence, money, charm or any other woman, it might have been a battle I could have won. But my rival’s name was America." Dreams abound in this collection, as does some wonderful poetry, as when Ethiopian writer Heran Abate writes: “The clouds are pink and orange in a way that Mititi thinks is magical. She points up to them and starts blowing air in their direction as if to move them along faster.”

A rich collection full of work of accomplishment and great promise alike.

Pub Date: Nov. 9, 2018

ISBN: 978-1-62371-970-8

Page Count: 256

Publisher: Interlink

Review Posted Online: Sept. 1, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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