Catch this sci-fi jungle fever.



A vacation in the Caribbean turns into a nightmare for the Powers family as they battle aliens on the verge of world domination.

When Tom Powers inherits the luxurious hacienda Paradisio from Grandfather Augustus, he’s oblivious to an otherworldly presence hidden deep within its jungles. The mansion, valued at a whopping $30 million, is maintained by two natives, Maya Belem and Ix, who were close friends of Augustus. Life at Paradisio seems calm amid the luscious waterfalls and intriguing wildlife of the jungle—that is, except for an alien species that mechanically carves out the insides of its prey to feast on the lipid remains. The species, known as the Sore, traveled to earth with their queen to impregnate human hosts. Now, as the Sore queen gains strength, her loyal drone devours manatees, hammerhead sharks, flamingos and even humans to provide his queen with the adequate source of fat and protein. The anatomy and apparent invincibility of the Sore is thoroughly intriguing: The lightning quick creatures have eight powerful legs and razor sharp claws that can dismember an adversary before it has a chance to react. Perhaps more than the science fiction element, readers will be drawn toward the relationship between the Powers children, Ella and Earl, and their new dog—Augustus’ favorite—Digger. Throughout the book, Morris provides frequent subheadings to help readers understand the storyline of each passage, if they need the direction, while shifting perspectives allow the reader to eavesdrop on the thoughts of various crucial characters, including Tom Powers, Belem the Maya hunter and caretaker, and even the drone. When the plot becomes stagnant, Morris reacts by turning characters into more than meets the eye, as when Dr. Cerna, a pivotal Powers’ ally, gives the story a refreshing twist by rescuing Earl with blue laser beams shooting out of his hand. Readers can look forward to continuing the adventure in the next installment of Morris’ Ella Chronicles.

Catch this sci-fi jungle fever.

Pub Date: Aug. 2, 2011


Page Count: -

Publisher: BookBaby

Review Posted Online: March 8, 2012

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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